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Novation Summit
Novation Summit

Novation Summit

61-key, 16-voice, 2-part Polyphonic Keyboard Synth, with 3 NCO New Oxford Oscillators per Voice, Aftertouch-enabled Semi-weighted Keybed, and Onboard FX
Item ID: 7275
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61-key Polyphonic Keyboard Synthesizer

The flagship Novation Summit is a two-part multitimbral, 16-voice Polyphonic Keyboard Synthesizer with a premium five-octave, semi-weighted keyboard (with velocity and aftertouch); it is well suited for musicians, sound designers, and synthesizer enthusiasts. Built on the formidable foundation of Novation’s renowned Peak synth module, aimed at the professional or semiprofessional musician seeking a powerful, inspiring 61-note keyboard synth for onstage and studio deployment. The Novation Summit puts the power of two Peaks right at your fingertips, letting you split or layer two completely independent patches across the keyboard, or switch between them on the fly. Summit also expands on Peak’s layout, with many additional controls and functions accessible on the front panel — including FM routing, LFOs 3 and 4, complete arpeggiator parameters, and more — plus pitch and mod wheels. Summit also features numerous new filter options and an audio input for processing external sources through its reverb, chorus, and delay FX.

Two Peaks in one synth - and then some

The 16-voice, multitimbral engine combines two simultaneous patches. Split or stack them for keyboard-divided or layered sounds, or switch the entire synth between two separate and independently controlled setups, perhaps using one as an effects processor for an external input source. Summit can also use all your Peak patches.

Our best 61-key keyboard ever

Five-octave, semi-weighted, velocity-sensitive keyboard with aftertouch – the same premium-quality keybed as introduced with our SL MkIII controller keyboard.

New Oxford educated

Digital New Oxford Oscillators are capable of subtractive, FM and wavetable synthesis. Waveforms are generated directly on the FPGA (Field Programmable Gate Array) chip, using 24MHz bitstream processing; and adjustable drift and divergence emulate the inherent and often desirable instability of analogue circuits.

True analogue filters and distortion

The New Oxford Oscillators output to true analogue filters, with origins in the classic OSCar synth, and three stages of analogue distortion give you ample saturation options.

Dual filters

Summit’s dual filter is switchable between six paired combinations of low-pass, high-pass and band-pass modes at 12dB/octave, or any single mode at 24dB/octave, for a broad range of sonic possibilities.

Hands-on sound design

Packed with modulation sources for deep sound design – LFOs, envelopes, Animate buttons and more. Extended controls see FM parameters, envelope loop switches and LFOs 3/4 moved from Peak’s menu system to the front panel, for easy programming and tweaking.

Audio in and auxiliary audio out

Hook up external instruments for processing with Summit’s onboard effects, while using it as a synth at the same time.

Powerful effects

Onboard reverb, chorus and delay effects are hosted on the FPGA. They’re also controlled directly from the front panel, and available as modulation targets in the dedicated FX Mod Matrix.

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