Analogue-sounding NCOs (Numerically-Controlled Oscillators) and 60 digital wavetables.
Three distortion points for each voice – pre-filter, post-filter and global – in an analogue signal chain.
Peak is capable of receiving polyphonic aftertouch, which puts expression right at your fingertips.
The three New Oxford Oscillators for each voice can become a linear FM source using either the analogue-sounding NCOs (Numerically-Controlled Oscillators) or digital wavetables. They are also able to cross-modulate in a recursive loop.
16-slot modulation matrix and 16 direct assignments controlled from the front panel, cleverly arranged for intuitive patch design and sound editing. Three ADSR envelopes and two LFOs for each voice.
Two animate buttons give live performers instant one-touch transformation of patches.
Reverb, delay and chorus at your disposal, and there’s also an arpeggiator.
Connect and sync to your music software and MIDI-compatible hardware. CV modulation input used to slot together modular systems.
Keep as many patches as you like on your Mac or PC using the Components software.
Select a row below to filter reviews.
5.0
