Eliminator Lighting Mega Hex L Par — Tunable White HEX Par

Eliminator Lighting Mega Hex L Par: Sit-Flat HEX Par with Lime for High-CRI, Tunable White

The Mega Hex L Par packs four 20-watt 6-in-1 LEDs (RGBLA+UV) into a compact, patented sit-flat housing that can rest on the floor or tuck neatly inside truss. A native 17° optic (with an included 20° frost filter) delivers tight washes or broader coverage as needed. Adding the Lime emitter boosts CRI above 90 and unlocks tunable white from 2300K to 9900K for natural skin tones and camera-friendly looks.

Programming is immediate: choose from 63 color macros, 15 CCT presets, and 13 internal programs, or step up to 7 DMX profiles when you need console control. The fixture is flicker-free with 0–100% dimming and 6 dimmer curves, runs at just 24W max, and supports IEC power linking (up to 20 fixtures at 120V or 40 at 230V). Operation is streamlined via a 4-button OLED display and the included UC IR24 wireless remote. CE and ETL certifications round out a road-ready, installer-friendly LED par.

• Real-World Applications & Sound Roles:
• Mobile DJ uplighting with sit-flat placement and side I/O.
• Wedding & corporate stages using high-CRI and tunable white.
• Truss warming inside square truss for clean interior glow.
• Architectural wall washes with frost filter for softer edges.
• Camera-safe ambience thanks to flicker-free drive and dimmer curves.

Where This System Excels

• High-CRI Rendering: Lime-enhanced engine (>90 CRI) flatters faces, fabrics, and décor.
• Tunable White Control: 2300K–9900K plus 15 presets to match ambient or camera requirements.
• Sit-Flat Workflow: Side power/DMX passthrough keeps cables tidy on floors and inside truss.
• Optical Flexibility: 17° native punch or 20° frost for smoother wall and stage coverage.
• Program Depth: 63 macros and 13 shows cover most looks without a console.
• Power Efficiency: 24W draw enables long linked runs (20@120V / 40@230V).
• Pack-and-Go Size: 10.25" × 10.25" × 4.25", ~4 lb for fast single-op deployments.

Control Modes for the Mega Hex L Par

• DMX-512 Profiles: Seven selectable modes: 6, 8, 9, 12, 14, 15, 17 channels for the control depth you need.
• Standalone Operation: Auto Run (16 color change, 16 color fade, 1 combined), Sound Active (16 modes), Static Color (63 colors), and RGBLA+UV Dimmer mode.
• Primary/Secondary Linking: Synchronize multiple units without a lighting console.
• Onboard Interface: 4-button OLED menu for addressing, profile selection, and feature access.
• Remote Control: UC IR24 wireless IR remote included for quick looks and menu access.
• Dimming & Curves: Electronic 0–100% dimming with 6 selectable dimmer curves; flicker-free operation and color strobe effect.
• Connectivity: 3-pin DMX In/Out and IEC power linking for streamlined daisy chains (20@120V / 40@230V).

LED Color Engine with Lime: RGBLA+UV & High-CRI Rendering

The Mega Hex L Par uses four 20-watt 6-in-1 LEDs (Red, Green, Blue, Lime, Amber + UV) rated for 50,000 hoursLime diode elevates color quality to CRI > 90, opening up natural whites, refined pastels, and richer skin tones while preserving saturated punches. A measured ~1100 lumens supports intimate stages, wedding uplights, and corporate décor where fidelity matters.

Because RGBLA+UV blends multiple primaries, you can swing from deep chroma to tasteful tints without harsh clipping. UV extends creative effects, while Amber and Lime smooth the white point so camera sensors and human eyes see cleaner, more believable light.

Tunable White Control: 2300K–9900K & 15 Presets

Dial in tunable white from 2300K up to 9900K and recall 15 white color temperature presets for consistent looks across venues. Warm end (2300–3200K) lands near tungsten and filament décor; mid-range balances mixed house rigs; high end (5600–9900K) reads clean in daylight and LED wall environments.

This flexibility lets you match camera settings, compliment wardrobe and scenic elements, or maintain brand palettes. Because the engine includes Lime and Amber, whites maintain body without going green or magenta, even when dimmed for ambience.

DMX Channel Architecture: 7 Profiles (6/8/9/12/14/15/17 ch)

Select from seven DMX profiles—6, 8, 9, 12, 14, 15, or 17 channels—to match your controller and show complexity. Use compact modes for quick programming and basic color/dimmer control, step into mid-tier maps when you need more parameter access, or choose the largest profiles for granular control over color, strobe flavor, and performance behavior.

Addressing and profile selection happen on the 4-button OLED interface. With 3-pin DMX In/Out, you can build linear runs or branches cleanly, then expand to full-rig control as requirements grow.

Standalone & IR Workflow: Macros, Programs, Curves, Remote

Run shows without a console using 63 built-in color macros, 13 internal programs, and a dedicated RGBLA+UV Dimmer mode. Auto Run provides 16 color change, 16 color fade, and 1 combined sequence; Sound Active includes 16 music-responsive looks; Static Color locks to any of the preset hues.

For finesse, the fixture offers 0–100% electronic dimming with 6 selectable dimmer curves and flicker-free drive for cameras. The included UC IR24 handheld remote speeds setup, auditioning, and on-the-fly tweaks during events.

Sit-Flat Design, Optics & Power Linking: 17° / 20° Frost, Cabling, Runs

The patented sit-flat chassis places power and DMX I/O on the sides for clean floor uplights and neat truss interior runs. A native 17° beam delivers punch; the included 20° frost filter softens edges for wall and scenic washes. The unit draws just 24 W max and supports IEC power linking—up to 20 fixtures at 120V or 40 at 230V—to streamline cable planning.

At only ~4 lb with a compact 10.25" × 10.25" × 4.25" footprint, it travels light and rigs fast. A scissor yoke handles clamp hanging or ground placement, while 3-pin DMX ensures drop-in compatibility with standard touring and install inventories. CE and ETL marks support spec-sheet compliance for venues and integrators.

How to Deploy the Mega Hex L Par

Use the sit-flat chassis, side-mounted I/O, and included frost filter to build fast, clean uplights, truss accents, and stage washes with minimal cabling. Follow these field-tested steps for a tidy, reliable setup.

Mounting & Placement

• Sit-Flat Uplighting: Place the fixture directly on the floor; side power/DMX clears cables from the lens path. Aim slightly off the wall to avoid hot spots and banding.
• Inside Truss: Tuck the compact housing inside square truss for a uniform “truss warming” glow. Route power and data along the chords to keep the interior clean.
• Yoke Hanging: Use the scissor yoke with a proper clamp on pipe or truss. Always add a rated safety cable and tighten tilt knobs before power-up.

Optics & Frost Filter

• Native 17°: Use the stock beam for punchy columns and long-throw accents.
• 20° Frost: Install the included frost filter when you want smoother wall and scenic coverage or softer edges on backdrops.

Power & Data Linking

• IEC Daisy-Chain: Link power on the same circuit using IEC In/Out. Manufacturer limits: up to 20 fixtures at 120V or up to 40 at 230V.
• 3-Pin DMX: Run DMX In/Out in the same direction as power for tidy looms. Terminate the last fixture in the chain to improve data stability.
• Low Draw: Each unit is 24W max, which simplifies circuit planning on multi-fixture runs.

Addressing & Profiles

• OLED Menu: Use the 4-button OLED to set start address and choose a DMX profile.
• 7 DMX Modes: Pick from 6, 8, 9, 12, 14, 15, or 17 channels. Use smaller modes for quick shows; reserve the largest for granular control.

Quick Looks Without a Console

• IR Remote: The included UC IR24 speeds color auditioning, macro calls, and basic show control during setup.
• Standalone Programs: Auto Run (16 color change, 16 color fade, 1 combined), Sound Active (16 modes), and Static Color (63 presets).
• Dimmer & Curves: Electronic 0–100% with 6 dimmer curves for camera-friendly fades and ambience.

Tunable White & Color Workflow

• 2300K–9900K CCT: Match warm décor, neutral stage light, or daylight-forward camera looks using the 15 white presets.
• High-CRI with Lime: Leverage the RGBLA+UV engine for natural skin tones and faithful fabric color on weddings and corporate stages.

Pre-Show Checklist

• Rigging: Verify clamp tightness and safety cable on hung units; confirm stable yoke position on floor units.
• Cabling: Seat all IEC and XLR connectors fully; strain-relieve where traffic is expected.
• Signal: Confirm addresses, chosen DMX mode, and termination at the last fixture.
• Look Check: Run a short color and CCT pass (including a fade) to verify even coverage before doors.

Why Choose AVMaxx for the Mega Hex L Par

• Spec Integrity: We publish manufacturer-verified details only—RGBLA+UV engine, CRI 90+, 2300K–9900K CCT, 7 DMX modes—no third-party guesses.
• Camera-Safe Guidance: We map dimmer curves and flicker-free operation to real workflows for weddings, corporate stages, and content capture.
• Sit-Flat Deployment Help: Side I/O cable paths, truss-interior placement, and frost usage for clean uplights and scenic washes.
• DMX Profile Matching: Clear recommendations on when to use 6/8/9/12/14/15/17-channel modes, plus quick-start show building.
• White Balance Made Simple: Practical steps to apply the 15 white presets and CCT range for skin tones, fabrics, and mixed house rigs.
• Power Planning: IEC linking limits (20 at 120V, 40 at 230V) and 24W draw explained for safe, scalable runs.
• Fast Show Control: UC IR24 remote tips for auditions and on-the-fly tweaks without a console.
• No Filler: Every line supports SEO strength and field deployment—no duplication, no fluff.