Chauvet Professional COLORado 2 Solo IP65 RGBW Wash

Chauvet Professional COLORado 2 Solo: IP65 Triple-Engine RGBW Zoom Wash for Real Stages

Built for touring, rental, and production—indoors or out. The COLORado 2 Solo couples a homogenized RGBW optical system with three 40 W quad-color LEDs and a rapid 5°–42° motorized zoom to swing from tight architectural accents to wide, even stage washes. An IP65 chassis with Seetronic Powerkon IP65 power in/out and 3- and 5-pin XLR IP65 data maintains signal and power integrity in rain, dust, and fog.

Program faster, look cleaner on camera. Choose from five dimming modes to shape fades, engage selectable PWM (600 Hz–25 kHz) to mitigate flicker, and leverage color temperature presets (3,200–10,000 K) for quick white matching. A password-protected OLED interface, DMX/RDM control, and both built-in and customizable programs keep show flow moving when time is tight.

Tour-ready power strategy. With universal 100–240 VAC operation and power linking (12 @ 120 V; 21 @ 208 V; 23 @ 230 V), the 2 Solo simplifies long truss runs. Its 7.5 in (190 mm) accessory holder supports diffusion and blending filters for precise beam shaping in corporate AV, festival rigs, and DJ environments.

• Real-World Applications and Lighting Roles
• DJ stage wash and dancefloor color
• Outdoor festival truss warmers and scenic uplight
• Corporate AV key/fill with fast CCT presets
• Architectural accents and broadcast-friendly washes

Where This Wash Light Excels

• Outdoor Reliability: IP65 enclosure with sealed power/data and a pressure-equalizing M12 GORE® valve.
• Flexible Coverage: 5°–42° motorized zoom transitions from tight punch to broad, even fields.
• Camera Readiness: Selectable PWM up to 25 kHz reduces visible flicker for IMAG and streaming.
• Speed of Programming: Built-in and customizable programs plus OLED menu with password protection.
• Consistent Whites: 3,200–10,000 K presets for quick matching with keys and followspots.
• Rental-Grade Control: DMX/RDM with 3- and 5-pin IP65 XLR to fit mixed inventories.
• Power Efficiency: 100–240 VAC auto-range with power linking (12/21/23 by region) to reduce home runs.
• Rigging Practicality: 7.5 in (190 mm) accessory holder for DF60X1D; aluminum die-cast body for durability.

Control Modes for the COLORado 2 Solo

• Protocols: DMX, RDM
• Connectors: 3-pin and 5-pin XLR IP65 (data); Seetronic Powerkon IP65 in/out (power)
• DMX Channel Counts: 9, 12, or 17 channels
• Personalities (5): HSIC, SSP, TOUR, TR16, STD.Y
• Dimming: Electronic with 5 selectable dim modes for tailored fade response
• PWM Selection: 600 Hz, 1,200 Hz, 2,000 Hz, 2,400 Hz, 6,000 Hz, 25,000 Hz
• Zoom: Motorized 5°–42° via DMX
• Strobe: Electronic, 0–25 Hz
• Color Tools: Standalone RGBW color mixing; CCT presets 3,200–10,000 K
• Programs: Built-in automated shows; customizable programs with on-fixture recall
• User Interface: OLED display with password protection for secure addressing and settings

LED Optical Engine & Solo Zoom System of the COLORado 2 Solo

The COLORado 2 Solo employs a homogenized RGBW optical path powered by three 40 W quad-color LEDs, delivering a seamless field with no color fringing. Its fast, precise motorized zoom spans 5°–42°, so one fixture can punch narrow accents or paint wide, even washes across scenic elements and performers.

• Beam / Field: 5°–27° beam; 7°–42° field for smooth edge roll-off.
• Measured Output: 9,720 lux @ 5 m (5°); 318 lux @ 5 m (27°) for predictable plot math.
• Accessory Support: 7.5 in (190 mm) holder for diffusion and color-blending filters (e.g., DF60X1D).
• Form Factor: Rugged aluminum die-cast body; compact 8.26 × 10.7 × 15.2 in, 16.2 lb for agile rigging.

Result: a versatile, outdoor-ready RGBW wash that transitions from tight architectural accents to broadcast-friendly stage coverage without swapping fixtures.

DMX Channel Modes & Personality Map in the COLORado 2 Solo

Choose the control footprint that matches your console time and show complexity. The 2 Solo offers three channel counts and five personalities to streamline patching from quick corporate looks to granular festival busking.

• DMX Channel Counts: 9, 12, or 17 channels
• Personalities (5): HSIC, SSP, TOUR, TR16, STD.Y

Use-Case Guidance:

• HSIC: Rapid hue/saturation targeting for DJ and corporate AV programming.
• SSP: Simplified show profile for consistent traits across mixed inventories.
• TOUR: Road-friendly layout for repeatable festival/busking workflows.
• TR16: 16-bit precision for subtle fades and refined zoom moves on camera.
• STD.Y: Standard profile for general-purpose theatre and rental deployments.

All modes support RDM for remote addressing and status when the fixture is flown or weather-shrouded.

Dimming Curves, PWM Selection & On-Camera Performance

Shape fades and match capture devices with flexible dimming and PWM control. Fine-tune responsiveness for live shows or raise PWM to mitigate visible flicker on cameras and LED walls.

• Dimming: Electronic dimmer with 5 selectable dim modes for theatre-smooth or EDM-fast looks.
• PWM Frequencies: 600 Hz, 1,200 Hz, 2,000 Hz, 2,400 Hz, 6,000 Hz, 25,000 Hz.
• Shutter/Strobe: Electronic 0–25 Hz for rhythmic accents and audience sweeps.

Tip: Use higher PWM (up to 25 kHz) for IMAG/streaming environments; use lower PWM for maximum dimmer responsiveness in live-only rigs.

Standalone Programs, CCT Presets & OLED/RDM Control

When console time is tight, the COLORado 2 Solo’s onboard toolset keeps shows moving. Build, store, and recall looks from the OLED display—secured by password protection—or manage everything from the desk via DMX/RDM.

• CCT Presets: Quick white points from 3,200 K–10,000 K for camera and key-light matching.
• Color: Full RGBW standalone mixing for uplights, scenic fills, and accents without a controller.
• Programs: Built-in automated shows, customizable programs, and on-fixture recall for repeat cues.
• Interface: Lockable OLED UI prevents unintended changes in rental and festival environments.

Outcome: reliable walk-in looks, consistent presets, and protected settings that survive changeovers and crew rotations.

IP65 Power & Data Connectivity Strategy

Engineered for all-environment operation, the 2 Solo uses sealed connectors and sensible power linking to simplify outdoor wiring and reduce failure points across long truss runs.

• Ingress Protection: IP65 rating with pressure-equalizing M12 GORE® valve for outdoor/wet use.
• Power: Seetronic Powerkon IP65 input/output; included Edison (local) plug to Powerkon IP65 cord (5 ft / 1.5 m).
• Data: 3-pin and 5-pin XLR IP65 for DMX/RDM signal integrity in rain, dust, and fog.
• Electrical: 100–240 VAC, 50/60 Hz auto-ranging; power and current up to 130 W, 1.11 A @ 120 V (region values as specified).
• Power Linking (max): 12 @ 120 V; 21 @ 208 V; 23 @ 230 V to reduce home-run cabling.
• Compliance: CE, MET for global touring confidence.

This connectivity approach keeps cabling tidy, preserves IP seals, and speeds load-in/out for touring, rental, and outdoor production workflows.

How to Deploy the COLORado 2 Solo

Build fast, reliable washes indoors or outdoors by treating the COLORado 2 Solo as a compact, IP65-rated RGBW zoom wash that can swing from tight accents to wide scenic coverage. Use its sealed power/data path, choose the control personality that fits your console time, and set PWM/CCT to match cameras and key light.

Truss Mounting & Aiming

• Clamp & Balance: Mount through the yoke using a rated professional clamp (e.g., CTC-50HC / CTC-50HCN). Center the clamp to keep tilt balanced.
• Safety: Attach a secondary safety to the yoke or fixture body before power-up.
• Zoom Strategy: Start around 5°–10° for narrow architectural accents; open to 20°–42° for even stage/scenic coverage.
• Beam Tools: Utilize the 7.5 in (190 mm) accessory holder for diffusion/color-blending (e.g., DF60X1D) when you need softer fields.

Floor, Deck, and Uplight Positions

• Yoke as Stand: Rotate the yoke to create a stable base for uplighting drape, scenery, columns, or cyc walls.
• Cable Paths: Route AC and DMX away from pedestrian areas; create drip loops to keep water from wicking toward connectors.
• Glare Control: In close uplight positions, run wider zoom to avoid hot spots on near surfaces and talent.

Outdoor Wiring & IP65 Practices

• Power: Feed from Seetronic Powerkon IP65 input and link from the IP65 output. Use the included Edison-to-Powerkon IP65 5 ft (1.5 m) cord to start the run.
• Data: Use 3-pin or 5-pin XLR IP65 for DMX/RDM. Cap unused ports and hand-tighten gland rings to maintain the seal.
• Ingress Protection: The IP65 enclosure and pressure-equalizing M12 GORE® valve support outdoor/wet use—still avoid low points where water can pool.

Addressing & Control Setup

• DMX Footprint: Choose 9, 12, or 17 channels to match plot complexity; enable RDM for remote address/status when flown.
• Personality Guide:
  • HSIC: Rapid hue/sat targeting for quick corporate/DJ looks.
  • TOUR: Busk-friendly layout for festival and rental workflows.
  • TR16: 16-bit precision for subtle fades and refined zoom moves on camera.
  • SSP / STD.Y: Streamlined/standard traits for mixed rigs.
• On-Camera Settings: Select higher PWM (e.g., 6 kHz or 25 kHz) for IMAG/streaming; use lower PWM (e.g., 600–2.4 kHz) when prioritizing ultra-responsive live looks without cameras.
• White Matching: Use 3,200–10,000 K CCT presets to align with keys and followspots; fine-tune on the console.

Power & Load Management

• Input Range: 100–240 VAC, 50/60 Hz auto-ranging simplifies mixed-venue tours.
• Fixture Draw: Up to 130 W (region currents as specified). Plan branch circuits accordingly.
• Power Linking (max): 12 @ 120 V; 21 @ 208 V; 23 @ 230 V to reduce home-run cabling along long truss runs.

Quick Deployment Recipes

• DJ/Dancefloor Wash: 25°–40° zoom, HSIC personality, mid PWM; use CCT presets for natural speech lighting, switch to saturated RGBW for dancing.
• Festival Truss Warmers: 10°–20° zoom on verticals, TOUR personality, RDM addressing; cap unused ports to keep dust/rain out.
• IMAG/Broadcast: 30°–42° zoom for even fields, TR16 personality, high PWM (6 kHz–25 kHz), CCT around 5,600–6,500 K to match camera white.

Why Choose AVMaxx for the Chauvet Professional COLORado 2 Solo

Deployment-first guidance. We don’t just list specs—we translate them into show-ready decisions: which DMX footprint (9/12/17) fits your console time, which personality (HSIC/SSP/TOUR/TR16/STD.Y) speeds programming, and which PWM setting (up to 25 kHz) keeps cameras clean.

Outdoor wiring that survives real weather. We map sealed cabling paths using Seetronic Powerkon IP65 and 3-/5-pin XLR IP65, set correct drip loops, and document power-link limits (12 @ 120 V • 21 @ 208 V • 23 @ 230 V) so your truss runs stay reliable.

Consistent white matching for mixed rigs. We’ll build a CCT preset plan (3,200–10,000 K) that lines up with keys, followspots, and LED walls—plus diffusion choices for the 7.5 in (190 mm) accessory frame when you need softer fields.

Verified, current data only. Every figure we provide is drawn from current manufacturer documentation—no assumptions, no third-party guesses—so your LD, PM, and venue electrician get trustworthy information.

From DJ to broadcast without re-plotting. Need fast color for a dancefloor? We’ll show you HSIC + wider zoom. Shooting IMAG? We’ll shift you to TR16 with high-frequency PWM and balanced zoom for even coverage.