Chauvet Professional COLORado Solo Bar 6 IP65 RGBWL Batten

Chauvet Professional COLORado Solo Bar 6: IP65 Full-Spectrum Linear Batten for Camera, Stage & Scenic Lines

Built for pro sets and long throws. COLORado Solo Bar 6 packs 24 (RGBWwL) LED engines into a 69.61" chassis to deliver an even, artifact-free wash across wide scenery and cyc walls. Native optics measure 16.7° beam / 36.1° field, while the slide-in slot accepts the included CYC, Half, Stealth and 50/50 filters. A stowable glare shield, sliding T-rail brackets, and guide pins speed straight, end-to-end alignment on truss or scenic frames.

Camera-safe color control. Linear 2,800–8,000 K presets combine with ±green and emulated red-shift for fast matches to keys and practicals, and a CRI 95 engine with high TM-30 keeps skin tones consistent. 18-bit dimming, four dim modes/curves, and PWM up to 25 kHz keep fades smooth and images clean at any frame rate.

Network-ready control. Integrate over DMX/RDM, Art-Net or sACN, or deploy wirelessly with CRMX. Multicell personalities (1/2/4/6/8/12/24) support everything from compact CCT/HSV looks to deep pixel mapping across long scenic runs. Rugged IP65 connectors (Seetronic Powerkon, 5-pin XLR, etherCON-compatible data) keep the rig reliable indoors and out.

Where This Fixture Excels

• Broadcast Sets: CRI 95, ±green, and red-shift tools deliver natural faces under mixed sources.
• Film & Location: 2,800–8,000 K CCT with 25 kHz PWM prevents rolling-band artifacts on camera.
• Long Scenic Runs: 69.61" length with guide pins creates straight, continuous linear ribbons.
• Touring & Outdoor: IP65 housing and locking power/data withstand dust, haze, and weather.
• Theater & Corporate: 18-bit fades and selectable curves support precise cueing.
• Architectural Wash: CYC/Half/Stealth/50-50 filters shape coverage for facades and backdrops.
• DJ & Special Events: Even edge-to-edge color for truss uplight and scenic pixel lines.
• Power-Aware Rigs: Clear linking limits (up to 4 units @ 208–240 V) simplify circuit planning.

Control Modes for the COLORado Solo Bar 6

Protocols & I/O: Control via DMX with RDM, or over the network using Art-Net and sACN; CRMX supports wireless integration. Connectivity includes 5-pin IP65 XLR and etherCON-compatible data, plus Seetronic Powerkon IP65 power I/O. USB is available for software servicing.

DMX Personalities by Cell Group (72 total)

• 1 CELL: CCT (4ch), HSV (4ch), RGB (3ch), RGBW (4ch), RGBWL (5ch), RGBWL-16bit (10ch), RGB Ext. (10ch), RGBW Ext. (11ch), RGBWL Ext. (12ch), RGBWL Full (19ch), XY (4ch), XY Ext. (9ch)
• 2 CELL: CCT (7ch), HSV (7ch), RGB (6ch), RGBW (8ch), RGBWL (10ch), RGBWL-16bit (20ch), RGB Ext. (17ch), RGBW Ext. (19ch), RGBWL Ext. (21ch), RGBWL Full (35ch)
• 4 CELL: CCT (13ch), HSV (13ch), RGB (12ch), RGBW (16ch), RGBWL (20ch), RGBWL-16bit (40ch), RGB Ext. (31ch), RGBW Ext. (35ch), RGBWL Ext. (39ch), RGBWL Full (67ch)
• 6 CELL: CCT (19ch), HSV (19ch), RGB (18ch), RGBW (24ch), RGBWL (30ch), RGBWL-16bit (60ch), RGB Ext. (45ch), RGBW Ext. (51ch), RGBWL Ext. (57ch), RGBWL Full (99ch)
• 8 CELL: CCT (25ch), HSV (25ch), RGB (24ch), RGBW (32ch), RGBWL (40ch), RGBWL-16bit (80ch), RGB Ext. (59ch), RGBW Ext. (67ch), RGBWL Ext. (75ch), RGBWL Full (131ch)
• 12 CELL: CCT (37ch), HSV (37ch), RGB (36ch), RGBW (48ch), RGBWL (60ch), RGBWL-16bit (120ch), RGB Ext. (87ch), RGBW Ext. (99ch), RGBWL Ext. (111ch), RGBWL Full (195ch)
• 24 CELL: CCT (73ch), HSV (73ch), RGB (72ch), RGBW (96ch), RGBWL (120ch), RGBWL-16bit (240ch), RGB Ext. (171ch), RGBW Ext. (195ch), RGBWL Ext. (219ch), RGBWL Full (387ch)

Art-Net / sACN Personalities

• Art-Net and sACN support the same channel structures as DMX for each cell grouping above, enabling direct network mapping without profile changes.

Color & Dimming Controls

• CCT & Correction: 2,800–8,000 K presets with ±green and emulated red-shift.
• Dimming: 18-bit resolution with 4 dim modes and 4 curves.
• PWM Selection: 1, 2, 4, 6, 12, 25 kHz for flicker-free imaging.
• Effects: Electronic strobe 0–30 Hz and built-in automated programs.

Utilities

• RDM: Remote addressing, mode selection, and status monitoring.
• Service: USB port for software updates and maintenance.

LED Color Engine & Spectral Tools of the COLORado Solo Bar 6

High-output, full-spectrum source. Twenty-four (24) RGBWwL LED engines deliver a smooth, continuous wash with even color from edge to edge—no “circle-in-a-square” artifacts. The bar supports linear 2,800–8,000 K presets with CRI 95 and strong TM-30 performance for lifelike skin tones on camera.

Onboard color science for real rooms. Use ±green correction to match practicals and studio keys, and enable emulated red-shift to mimic tungsten warmth on fades. At full output, the engine centers near 9,167 K, giving colorists a wide window for creative looks while preserving fidelity.

Networked Control (Art-Net/sACN/CRMX) & Pixel Personalities

Ready for modern show control. Drive the Solo Bar 6 via DMX with RDM or over Ethernet using Art-Net and sACN; add CRMX for robust wireless when cable runs aren’t practical. RDM streamlines addressing and mode changes, while the USB port supports software servicing.

Granular mapping for scenic lines. Choose from 72 personalities across 1/2/4/6/8/12/24-cell groupings, with compact CCT/HSV/RGB profiles for quick builds and extended RGBW/RGBWL/16-bit/XY options for calibrated pipelines. Extended layouts scale channel counts up to the multi-universe range, enabling long chases and content across the 69.61" span.

Tour-grade connectivity. IP65 5-pin XLR for DMX/RDM and etherCON-compatible network ports integrate cleanly with existing rigs.

18-bit Dimming, Curves & PWM Strategy

Camera-safe fades. The engine supports 18-bit dimming for precise low-end control, plus 4 dim modes and 4 dim curves so fades feel right for theater, concert, or studio cueing. Selectable PWM at 1, 2, 4, 6, 12, and 25 kHz avoids banding with high-speed and rolling-shutter sensors.

• Effects: Electronic strobe from 0–30 Hz and built-in automated programs for fast walk-in looks and focus checks.
• Studio behavior: Virtually silent operation makes the fixture suitable for sound-sensitive sets.

Optics Package: Native Photometrics & Diffusion Options

Shape coverage without changing fixtures. Native optics produce a 16.7° beam with a 36.1° field, outputting up to 25,198 lm and 5,834 lux @ 5 m. Slide-in filters tailor spread and brightness for backdrops, architecture, and long scenic runs.

• CYC Diffusion: ~40.7° beam / 84.4° field; approx. 32,913 lm, 1,739 lux @ 5 m for wide walls and cyc washes.
• Half Diffusion: ~18.9° beam / 46.8° field; approx. 23,920 lm, 3,788 lux @ 5 m for added width with punch.
• Stealth Diffusion: ~25° beam / 61.2° field; approx. 8,571 lm, 932 lux @ 5 m for softer, discreet sources.

Long-throw alignment. The 69.61" chassis uses guide pins for straight, end-to-end lines across multiple units.

Chassis, Power Topology & IP65 Environmental Design

Road-ready enclosure. An aluminum die-cast/profile housing measures 69.61 × 7.87 × 8.36 in and weighs 49 lb, finished in black. Rated IP65 with a pressure-equalizing M12 GORE valve, the unit operates from -4 °F to 113 °F and carries CE, MET, FCC, UKCA markings.

• Power: Seetronic Powerkon IP65 input/thru; Edison-to-Powerkon cable included. Power linking: 0 @ 100 V, 2 @ 120 V, 4 @ 208/230/240 V.
• Draw & Inrush: ~610 W, 6.10 A @ 100 V [10 A inrush]; 600 W, 4.98 A @ 120 V [12 A inrush]; 590 W, 2.78 A @ 208 V [17 A inrush]; 575 W, 2.55 A @ 230 V [34 A inrush]; 573 W, 2.50 A @ 240 V [27 A inrush].
• Data: 5-pin IP65 XLR for DMX/RDM and etherCON-compatible network ports; USB for software updates.
• Rigging: Sliding T-rail brackets for precise pick-point placement; stowable glare shield manages spill toward lenses and audience.

How to Deploy the COLORado Solo Bar 6 in the Field

1) Power & Circuit Prep

• Line voltage: 100–240 VAC, 50/60 Hz auto-ranging.
• Power linking limits: 0 units @ 100 V; 2 units @ 120 V; 4 units @ 208/230/240 V.
• Connectors: Seetronic Powerkon IP65 input/thru (Edison-to-Powerkon cable included).
• Inrush planning: Account for inrush up to 34 A (230 V). Stagger boot-up or use sequenced power when possible.
• Cable management: Use drip loops outdoors and keep runs clear of pinch points along truss and decks.

2) Mounting, Alignment & Footprint

• Bracket system: Position the sliding T-rail brackets for exact pick points around truss chords or scenic frames.
• Straight lines: Engage the end-to-end guide pins so multi-fixture ribbons remain perfectly linear.
• Clamping: Use the included Omega brackets with professional clamps (e.g., CTC-50HC/CTC-50HCN) and a rated safety cable.
• Floor setups: Fit the Short Mount Accessory Feet for ground rows and cyc uplight; tilt to contain spill.
• Sightlines: Deploy the stowable glare shield to keep flare out of lenses and audience views.
• Clearance: Allow for the 69.61" × 7.87" × 8.36" housing plus rear cabling bends.

3) Data & Network Topology

• DMX/RDM: Use 5-pin IP65 XLR for hardline control; leverage RDM for addressing, personality selection, and status checks.
• Art-Net/sACN: Connect via etherCON-compatible port; allocate universes per run when using extended pixel maps.
• Wireless: Integrate CRMX where cable routes are impractical or temporary.
• Service: Perform software updates through the USB port during shop prep—not on show day.

4) Personality Choice & Pixel Strategy

• Quick rigs: Compact modes (CCT/HSV/RGB) minimize channels for small desks and fast builds.
• Colorist workflows: Use RGBW/RGBWL/16-bit or XY/extended for calibrated pipelines and fine control.
• Mapping: Select 1/2/4/6/8/12/24-cell personalities as needed; distribute bars across universes before content programming.
• Consistency: Standardize dim curves and speeds across all units so fades and chases read uniformly.

5) Optics, Diffusers & Photometric Tuning

• Native optics: 16.7° beam / 36.1° field for punchy linear washes on long spans.
• CYC Diffusion: Broad coverage for walls and backdrops; ideal for wide cyc lines.
• Half Diffusion: Adds width while holding intensity—great for stage wash and ground rows.
• Stealth Diffusion: Softer, lower-glare source for close camera work or reflective scenery.
• 50/50 Filter: Balanced throw vs. spread when fixtures cover mixed distances.
• Tip: Lock diffuser choice before final trim; verify spill control and camera acceptance with the glare shield in place.

6) Camera & Show Settings

• PWM: Choose 1, 2, 4, 6, 12, or 25 kHz to eliminate rolling bands at your frame rates.
• Color matching: Use ±green for key/practical alignment; enable emulated red-shift for tungsten-style warm fades.
• Dimming feel: Pick among 4 dim modes and 4 curves to match theater, concert, or studio cueing.
• Noise floor: The fixture’s virtually silent operation suits dialogue and orchestral programs.

7) Outdoor & Environmental Practice

• Ingress: IP65 enclosure and M12 GORE valve support temporary outdoor use; fully seat all connectors.
• Cable spec: Use IP-rated DMX/network and Seetronic Powerkon IP65 extensions in weather-exposed runs.
• Drainage: Avoid pooling around connectors; route cables so water sheds away from I/O.
• Ambient range: -4 °F to 113 °F (-20 °C to 45 °C); maintain airflow around the chassis.

8) Turnaround & Maintenance

• Strike: Remove filters, wipe down faces, and stow the glare shield before case up.
• Health check: Use RDM for a quick status sweep; schedule firmware updates via USB during shop time.

Why Choose the COLORado Solo Bar 6 from AVMaxx

Sensor-matched from the shop. We preset PWM up to 25 kHz, select dim curves/speeds, and apply ±green/red-shift guidance so faces and fabrics track cleanly on camera from the first cue.

Pre-mapped personalities for long runs. Need 1/2/4/6/8/12/24-cell layouts? We ship bars pre-addressed, labeled, and patched for your desk—compact CCT/HSV for quick rigs or extended RGBW/RGBWL/XY for calibrated pipelines.

Rigging that stays straight. Our kits include the right clamps and spacing plans so the sliding T-rail brackets and guide pins produce continuous, ruler-straight scenic ribbons across your trim.

Power plans that hold. We design circuits around real draw and inrush, plus the Solo Bar 6 link limits (2 @ 120 V; 4 @ 208–240 V) so you don’t discover constraints at load-in.

Diffuser choices that fit the room. Get fast, field-tested recommendations on CYC/Half/Stealth/50-50 and glare-shield use for walls, backdrops, and reflective sets—before you tie the last safety.

Only current, verified specs. Every setting we suggest traces to the latest manufacturer data you provided—no assumptions, no legacy sheets.