Chauvet Professional COLORado Solo Bar 1 IP65 LED Batten

Chauvet Professional COLORado Solo Bar 1: IP65 Full-Spectrum Studio Batten for Broadcast, Film & Live

The COLORado Solo Bar 1 is a compact, IP65 full-spectrum LED batten tuned for cameras and real-world stages. Its 4 (RGBWwL) LED engines deliver perfectly blended color—no “circle-in-a-square” artifacts—backed by CRI 95 and high TM-30/CQS fidelity. With linear CCT presets from 2800–8000 K (and 9056 K at full), ±green correction, and emulated red-shift, it dials in skin tones and practicals fast.

For studios and IMAG, the Solo Bar 1 offers ultra-smooth 18-bit dimming plus selectable PWM at 1k–25k Hz to keep flicker out of frame. It ships show-ready with a slide-in filter system—50/50, CYC, Stealth, and clear protective—and a stowable glare shield to shape spill. Deployment is quick via sliding brackets on a T-rail and guide pins for clean end-to-end alignment. Control options include DMX/RDM, CRMX wireless, and networked Art-Net/sACN, all inside a weather-ready IP65 chassis with a pressure-equalizing M12 GORE valve.

• Real-World Applications and Light Roles
• Broadcast key/fill with ±green and CCT presets for fast camera matches
• Film set accents and practicals using red-shift for tungsten-style fades
• Corporate livestream wash with quiet operation and 18-bit fades
• Event cyc/uplight using included CYC/Stealth diffusion for coverage control
• Outdoor activations where IP65 and CRMX simplify cable runs

Where This System Excels

• Camera-First Color: CRI 95 with high TM-30/CQS, ±green and emulated red-shift for accurate skin tones.
• Studio-Quiet Operation: Virtually silent for broadcast booths, dialog sets, and IMAG.
• Weather-Ready: IP65 housing with M12 GORE valve for indoor haze/fog or outdoor use.
• Flexible CCT Workflow: 2800–8000 K presets (9056 K at full) to match cameras and practicals.
• Flicker Control: Selectable PWM at 1k/2k/4k/6k/12k/25k Hz to suit any capture setup.
• Precision Dimming: 18-bit curves and speeds for theatrical fades and smooth low end.
• On-Board Shaping: Slide-in 50/50, CYC, Stealth and clear filters plus stowable glare shield.
• Fast Rigging: Sliding T-rail brackets and guide pins for clean, end-to-end alignment.
• Networked Control: Art-Net/sACN and CRMX wireless alongside DMX/RDM.
• Compact Footprint: 12.13 × 6.30 × 8.36 in, 13.1 lb—easy to hide on set or hang on truss.

Control Modes for the COLORado Solo Bar 1

Protocols: DMX-512, RDM, CRMX wireless, Art-Net, and sACN. Modes/Personalities: 32 total, with 1-cell, 2-cell, and 4-cell structures to match your console time and pixel needs.

DMX & Network Personalities (by Cell Structure)

• 1 CELL — CCT 4ch, HSV 4ch, RGB 3ch, RGBW 4ch, RGBWL 5ch, RGBWL-16bit 10ch, RGB Ext. 10ch, RGBW Ext. 11ch, RGBWL Ext. 12ch, RGBWL Full 19ch, XY 4ch, XY Ext. 9ch
• 2 CELL — CCT 7ch, HSV 7ch, RGB 6ch, RGBW 8ch, RGBWL 10ch, RGBWL-16bit 20ch, RGB Ext. 17ch, RGBW Ext. 19ch, RGBWL Ext. 21ch, RGBWL Full 35ch
• 4 CELL — CCT 13ch, HSV 13ch, RGB 12ch, RGBW 16ch, RGBWL 20ch, RGBWL-16bit 40ch, RGB Ext. 31ch, RGBW Ext. 35ch, RGBWL Ext. 39ch, RGBWL Full 67ch

Note: The same personality lineup is available over Art-Net and sACN for networked workflows.

Color & Dimming Controls

• CCT Presets: 2800–8000 K; ±green adjustment and emulated red-shift via DMX or on-board menu.
• Color Models: CCT, HSV, RGB, RGBW, RGBWL, and XY/XY Ext. for precise gamut targeting.
• Dimming: Electronic with 4 dim modes and 4 dim curves; 18-bit resolution for ultra-smooth fades.
• PWM Selection: 1,000 / 2,000 / 4,000 / 6,000 / 12,000 / 25,000 Hz for camera-safe output.
• Shutter/Strobe: Electronic, 0–30 Hz.
• Standalone: Color mixing — Yes; Built-in automated programs — Yes.

I/O & Setup Notes

• Data: 5-pin XLR (IP65) and etherCON-compatible network port; USB for software connection.
• Power: Seetronic Powerkon IP65 in/out (ships with Edison-to-Powerkon IP65 lead).
• Rigging: Sliding T-rail brackets and guide pins for precise end-to-end alignment.

Full-Spectrum Color Engine & Color Science of the COLORado Solo Bar 1

The Solo Bar 1 centers on 4 (RGBWwL) LED engines tuned for camera accuracy. It delivers CRI 95 with high TM-30/CQS fidelity and a linear CCT range of 2800–8000 K (9056 K at full). Onboard color management includes ±green adjustment for quick sensor/practical matching and an emulated red-shift that warms fades like tungsten. Factory CCT presets and standalone color mixing speed setup in studios and live environments alike.

• Luminous Output: 4,285 lm (native); with filters — Half 4,372 lm, CYC 3,795 lm, Stealth 1,257 lm.
• Even Field: Perfectly blended cell to edge—no “circle-in-a-square” artifacts across the aperture.

Optics & Diffusion System (Filters, Angles & Photometrics)

A slide-in slot accepts the included 50/50, CYC, Stealth and clear protective filters, while a stowable glare shield helps tame spill for broadcast lenses. Beam/field geometry and illuminance are defined for previs and plotting:

• Native Beam / Field: 16.5° / 33.4° • Illuminance: 874 lux @ 5 m
• With CYC Diffusion: 27.3° / 74.3° • Illuminance: 276 lux @ 5 m
• With Half Diffusion: 17.7° / 43.7° • Illuminance: 595 lux @ 5 m
• With Stealth Diffusion: 25.3° / 59.7°

Guide pins on the ends enable end-to-end alignment for continuous lines; sliding brackets on a T-rail let you fine-tune placement around truss chords and scenic elements.

Dimming Architecture & PWM Control for Camera-Safe Output

Designed for imaging, the Solo Bar 1 provides ultra-smooth 18-bit dimming with 4 dim curves and 4 dim modes to tailor response and low-end detail. A wide PWM selection guards against flicker across cameras and frame rates:

• PWM Frequencies: 1,000 / 2,000 / 4,000 / 6,000 / 12,000 / 25,000 Hz
• Shutter/Strobe: Electronic, 0–30 Hz for rhythmic effects and punctuated hits
• Operation: Virtually silent—ideal for dialog sets, broadcast booths, and IMAG

Pair high PWM (12–25 kHz) with appropriate dim curves for multi-camera shoots; use lower PWM where maximum dimmer resolution is preferred off camera.

Network & Wireless Control Profiles (DMX/RDM, CRMX, Art-Net, sACN)

Multiple transports come standard—DMX-512 with RDM, CRMX wireless, and IP-based Art-Net/sACN. The fixture offers 32 personalities across 1-cell, 2-cell, and 4-cell structures to scale from quick looks to granular color control.

1 CELL

• DMX & Art-Net/sACN: CCT 4ch, HSV 4ch, RGB 3ch, RGBW 4ch, RGBWL 5ch, RGBWL-16bit 10ch, RGB Ext. 10ch, RGBW Ext. 11ch, RGBWL Ext. 12ch, RGBWL Full 19ch, XY 4ch, XY Ext. 9ch

2 CELL

• DMX & Art-Net/sACN: CCT 7ch, HSV 7ch, RGB 6ch, RGBW 8ch, RGBWL 10ch, RGBWL-16bit 20ch, RGB Ext. 17ch, RGBW Ext. 19ch, RGBWL Ext. 21ch, RGBWL Full 35ch

4 CELL

• DMX & Art-Net/sACN: CCT 13ch, HSV 13ch, RGB 12ch, RGBW 16ch, RGBWL 20ch, RGBWL-16bit 40ch, RGB Ext. 31ch, RGBW Ext. 35ch, RGBWL Ext. 39ch, RGBWL Full 67ch

Workflow notes: Use RGBWL Full or XY Ext. when colorimetry precision matters; choose compact modes (RGB/RGBW) for busking rigs or small controllers.

IP65 Mechanics, I/O & Rigging Workflow

A sealed chassis with a pressure-equalizing M12 GORE valve supports IP65 temporary outdoor use and resilience indoors with haze/fog. Connectivity and mounting are built for fast, dependable deployment:

• Power: Seetronic Powerkon IP65 input/output (ships with Edison to Powerkon IP65 lead)
• Data: 5-pin IP65 XLR and Seetronic etherCON®-compatible network port; USB software connection
• Rigging: Sliding T-rail brackets for bracket position tuning; guide pins for end-to-end alignment
• Form Factor: 12.13 × 6.30 × 8.36 in; 13.1 lb (6.1 kg)
• Electrical: 100–240 VAC, 50/60 Hz (auto-ranging); power/current — 108 W, 0.93 A @ 120 V (typical), plus listed values for 100/208/230/240 V
• Included Hardware: Omega brackets with mounting hardware; filters (50/50, CYC, Stealth, clear protective); glare shield
• Certifications & Environment: CE, MET, FCC, UKCA; ambient -4 °F to 113 °F (-20 °C to 45 °C)

This combination of sealed I/O, flexible mounting, and compact size makes the Solo Bar 1 easy to deploy on truss, stands, or set pieces—indoors or out.

How to Deploy the Chauvet Professional COLORado Solo Bar 1

1) Pre-Flight & Contents Check

• Verify box contents: COLORado Solo Bar 1, Seetronic Powerkon IP65 power cable, Omega brackets with mounting hardware, filters (50/50, CYC, Stealth, clear protective—clear is installed), and the glare shield.
• Confirm environment: IP65 temporary outdoor use supported; ambient range -4 °F to 113 °F (-20 °C to 45 °C).
• Plan handling: compact form factor 12.13 × 6.30 × 8.36 in; weight 13.1 lb (6.1 kg).

2) Rigging & Physical Placement

• Mount with the included Omega brackets and hardware appropriate for your structure.
• Use the sliding brackets on the T-rail to position around truss chords or scenic elements without re-hanging.
• End-to-end runs: align fixtures using the built-in guide pins for a straight, continuous line of light.
• Fit the glare shield when you need to minimize spill into lenses or audience sightlines.

3) Power In (IP65) & Branch Planning

• Connect mains via Seetronic Powerkon IP65 input (ships with an Edison-to-Powerkon IP65 lead).
• Electrical ratings:
  • 108 W, 0.93 A @ 120 V, 60 Hz (typical)
  • 110 W, 1.12 A @ 100 V • 106 W, 0.59 A @ 208 V • 105 W, 0.48 A @ 230 V • 107 W, 0.46 A @ 240 V
• Use appropriately rated circuits and cabling; observe local electrical codes for outdoor/wet applications.

4) Data & Control Topology

• Choose control path:
  • DMX-512 via 5-pin IP65 XLR (enable RDM for remote addressing/troubleshooting)
  • Art-Net/sACN over Seetronic etherCON®-compatible network port
  • CRMX wireless when cabling is impractical
• Select a personality based on pixel needs:
  • 1 CELL for compact patches (RGB/RGBW/CCT/HSV/XY variants)
  • 2 CELL for mid-level control
  • 4 CELL for granular color control and effects
  There are 32 total personalities across DMX and network transports.
• For firmware/service tasks, use the onboard USB software connection.

5) Camera-Optimized Setup (CCT, ±Green, PWM, Dimming)

• Start with CCT presets 2800–8000 K (9056 K at full) to match cameras and practicals.
• Use ±green adjustment to correct sensor/fixture interactions; enable emulated red-shift for tungsten-style warm fades.
• Choose PWM to suit capture: 1k/2k/4k/6k/12k/25k Hz. Higher PWM (12–25 kHz) is typically best for multi-camera and slow-motion work.
• Select one of 4 dim modes and 4 dim curves; leverage 18-bit dimming for smooth low-end fades.
• For accents, the electronic strobe runs 0–30 Hz.

6) Optics & Filter Choices

• Native beam/field: 16.5° / 33.4°; 874 lux @ 5 m.
• CYC diffusion for broad coverage: 27.3° / 74.3°; 276 lux @ 5 m.
• Half diffusion for gentle softening: 17.7° / 43.7°; 595 lux @ 5 m.
• Stealth diffusion for beam shaping: 25.3° / 59.7°.
• Maintain an even, artifact-free field—no “circle-in-a-square” look—by choosing filters to suit camera distance and set geometry.

7) Standalone & Show Acceleration

• When speed matters, use standalone color mixing and built-in automated programs to establish base looks.
• For busking or small consoles, start with compact modes (e.g., RGB/RGBW); for precision colorimetry, use RGBWL Full or XY/XY Ext.

8) Quick Deployment Recipes

• Broadcast Key/Fill: Art-Net or sACN; 1 CELL CCT with ±green trim; 12–25 kHz PWM; add Half diffusion and glare shield.
• Film Practical/Uplight: DMX; 2 CELL RGBWL for split tints; enable emulated red-shift for tungsten-style cues; CYC diffusion for coverage.
• Corporate/Events Cyc Wash: DMX or CRMX; 4 CELL for per-section color; choose CYC or Stealth based on throw and spill control.
• Outdoor Activation: IP65 cabling for power/data; select high PWM; set dim curves for smooth fades.

Why Choose from AVMaxx

We translate specs into repeatable results on set. With the COLORado Solo Bar 1, our guidance aligns directly to your workflow—camera-first color with CRI 95, 2800–8000 K presets (9056 K at full), ±green correction, and emulated red-shift for tungsten-style fades. We recommend PWM choices (1k–25k Hz) for your capture rates, match dim curves/modes to your cueing style, and build patches that fit your console time—whether you’re running 1/2/4-cell personalities or a compact RGB/RGBW profile for busking.

• Camera-ready color fast: We’ll set CCT, ±green, and red-shift recipes that keep skin tones natural under mixed sources.
• Clean rigs, fewer do-overs: Sliding T-rail brackets and guide pins mean straighter lines and faster trims; we plan bracket positions ahead.
• On-board shaping that matters: We specify when to deploy 50/50, CYC, Stealth or the glare shield for spill control and even fields.
• Network + wireless fluency: Practical setups for DMX/RDM, CRMX, and Art-Net/sACN that suit studios, corporate stages, or DJ rigs.
• Weather-ready assurance: IP65 chassis with pressure-equalizing M12 GORE valve—we document proper cabling and outdoor best practices.

Bottom line: you get field-tested patching, filter choices, and PWM/dimming guidance—so your Solo Bar 1 reads right on camera and loads in clean.