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Chauvet Professional - COLORado PXL Curve 12
Chauvet Professional - COLORado PXL Curve 12

Chauvet Professional COLORado PXL Curve 12 IP65 Pixel Batten

Chauvet Professional COLORado PXL Curve 12 is an IP65 pixel batten with 12x45W RGBW, 200° tilting heads, 5.7°–36.3° zoom, and Art-Net/sACN/DMX/Kling-Net control, RDM, TRUE1 ports.
Item ID: 8044
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Availability: In Stock & Ready to Ship, Ships from USA   Free Shipping
UPC: 781462224479
Brand: Chauvet Professional

Chauvet Professional COLORado PXL Curve 12: IP65 Tilting Pixel Batten with Motorized Zoom

The COLORado PXL Curve 12 is a weather-ready, IP65 pixel-mapped batten built for touring, festivals, and permanent installs. Its engine of 12 × 45W RGBW LEDs drives vivid color and tight beams, with each head offering independent 200° tilt and a 5.7°–36.3° motorized zoom. Arrays remain visually seamless thanks to matched pixel pitch between fixtures, while quiet, quick mechanics keep the rig camera-friendly and show-safe.

Networking is wide open: DMX, sACN, Art-Net, and Kling-Net for full flexibility, plus RDM for remote addressing and troubleshooting. Field deployment is streamlined with IP65-rated 5-pin DMX and TCP/IP I/O, TRUE1-compatible power in/out, USB-C software upload, and slotted Omega brackets that snap onto truss fast. Photometrics are production-ready—up to 38,727 lux @ 5 m (spot), 1,120 lux @ 5 m (flood), and 5,807 lm—with selectable PWM (600–15 kHz) to keep DJ shows, broadcast sets, and content capture flicker-free.

Beyond looks, the PXL Curve 12 accelerates programming with virtual gobos, movement macros, foreground/background color control, five dim modes, and an electronic 0–20 Hz strobe. Whether you’re building a curved pixel line for a club stage, a high-impact festival runway, or a corporate backdrop, this DJ-ready pixel batten delivers fast motion, deep color, and rock-solid networking.

  • Real-World Applications and Light Roles
  • Touring pixel lines and truss borders
  • Club stages and DJ booths needing animated color bars
  • Festival runways and riser edges with tilt/zoom sweeps
  • Corporate/TV sets requiring high-CRI looks and PWM flicker control
  • Outdoor installs where IP65 and remote RDM save service calls

Where This Wash Light Excels

  • Touring Pixel Lines: Consistent pixel pitch between fixtures simplifies mapping and keeps lines visually seamless.
  • Broadcast & Camera Work: Selectable 600–15 kHz PWM minimizes flicker for video capture and LED walls.
  • DJ Stage Design: 12 independently tilting heads (200°) create dynamic sweeps and chases over booths and risers.
  • Festival & Outdoor Shows: IP65 housing with TRUE1-compatible power and sealed data I/O thrives in bad weather.
  • Corporate & Install: RDM remote addressing and IP network control reduce setup time and maintenance.
  • Pixel Animation: Virtual gobos, movement macros, and FG/BG color control speed up eye-candy looks.
  • Tight-to-Wide Coverage: 5.7°–36.3° zoom lets you pivot from beams to washes without rehangs.
  • Quiet Environments: Smooth, quiet tilt and zoom mechanics keep noise off mics and out of the room.

Control Modes for the COLORado PXL Curve 12

Control Protocols: DMX-512 (5-pin), sACN, Art-Net, Kling-Net; RDM enabled for remote addressing and troubleshooting.

  • DMX Personalities: 5 profiles — 20ch, 53ch, 101ch, 155ch, 179ch (also available over Art-Net/sACN).
  • Pixel Mapping: Fully pixel-mappable across 12 heads; maintains pixel pitch between fixtures for coherent animations.
  • Tilt Control: Electronic tilt to 200° with selectable travel ranges (60°, 180°, 200°) for motion limits and safety.
  • Zoom Zones: 12 individual zoom zones, 5.7°–36.3° range for beam-to-wash transitions per head.
  • Dimming & PWM: Electronic dimmer with 5 dim modes; selectable PWM at 600, 1200, 2000, 4000, 6000, 15000 Hz for video.
  • Strobe/Shutter: Electronic strobe 0–20 Hz for pulses, bursts, and blinder hits.
  • Programs: Built-in automated programs; customizable shows; quick recall of user programs.
  • Standalone Color Mixing: Not available (use DMX/Network or internal programs for color control).
  • I/O & Firmware: IP65 5-pin DMX and etherCON TCP/IP; TRUE1-compatible power in/out; USB-C port for software uploads.

Pixel Architecture & Head Tilt Mechanics of the COLORado PXL Curve 12

The COLORado PXL Curve 12 is built around 12 × 45W RGBW LEDs (50,000-hour life) arranged as individually addressable, pixel-mappable heads. Each head offers quiet, fast motion with up to 200° of tilt, plus selectable tilt range limits of 60°, 180°, or 200° to keep moves inside your rig’s safety envelope. Arrays stay visually coherent thanks to maintained pixel pitch between fixtures, so long linear runs read as one continuous canvas for mapping.

Mechanical design prioritizes touring reliability: a die-cast aluminum chassis with high-impact, flame-retardant polymer and steel elements, slotted Omega brackets for fast truss attachment, and compact dimensions of 39.21 × 7.09 × 12.80 in at 76 lb. The result is a curved pixel batten that tilts, sweeps, and tracks smoothly without adding noise to the room or the mics.

Zoom Optics & Photometrics (5.7°–36.3°) with PWM Flicker Control

Each head features a motorized 5.7°–36.3° zoom to pivot from tight beams to broad washes mid-show. Optical benchmarks are clearly defined for accurate plots and previs:

  • Beam Angles: 5.7° (spot), 13.8° (50% zoom), 26.8° (flood)
  • Field Angles: 9.0° (spot), 19.2° (50% zoom), 33.9° (flood)
  • Cutoff Angles: 9.9° (spot), 21.6° (50% zoom), 36.3° (flood)
  • Luminous Output: 5,807 lm (fixture)
  • Illuminance: 38,727 lux @ 5 m (spot), 1,120 lux @ 5 m (flood)

For video and broadcast, the fixture provides selectable PWM at 600, 1200, 2000, 4000, 6000, and 15,000 Hz plus 5 dim modes to tailor fades and low-end response. Electronic strobe 0–20 Hz delivers pulses, bursts, and blinder accents. A 2700–8000 K color temperature range with presets supports fast looks aligned to cameras and scenic content.

Network Control & DMX/sACN/Art-Net/Kling-Net Profiles (RDM Workflow)

The PXL Curve 12 speaks the industry’s core control languages out of the box: DMX-512, sACN, Art-Net, and Kling-Net, with RDM enabled for remote addressing and troubleshooting. Choose from five personalities to match show complexity and console time:

  • Channel Profiles: 20ch, 53ch, 101ch, 155ch, 179ch (available over DMX, Art-Net, and sACN)
  • Pixel Mapping: Fully pixel-mappable across all 12 heads; consistent channel architecture simplifies large arrays
  • Operational Notes: Standalone color mixing is not provided; use network control or internal programs for color looks

With unified profiles across DMX and IP transports, you can scale from a compact 20-channel patch to deep 179-channel control for per-head effects, tilt moves, and zoom orchestration—all while managing addresses and personality changes via RDM.

Built-In Programs, Virtual Gobos & Animation Macros

Speed up show creation with built-in automated programs, plus the ability to customize and recall your own. The engine includes virtual gobos, movement macros, and foreground/background color control to produce layered eye-candy without heavy programming. Tie these to the 200° head tilt, selectable tilt ranges (60°/180°/200°), and 12 individual zoom zones to craft sweeps, fans, and pixel waves that morph from 5.7° beams into 36.3° washes on the fly.

For DJs, clubs, and festival stages, this toolkit makes it easy to busk reactive chases and color transitions; for installs, you can store repeatable looks and trigger them via your control system with minimal console footprint.

IP65 Connectivity, Power Linking & Service Path (TRUE1, IP65 I/O, USB-C)

Field wiring is fully weather-ready with IP65 5-pin DMX and IP65 etherCON TCP/IP ports. Power is handled via TRUE1-compatible linking and Seetronic PowerCON IP65 I/O (ships with an Edison-to-Seetronic IP65 power lead). Firmware updates and service are streamlined through an IP65-rated USB-C software upload port.

  • Mains: 100–240 VAC, 50/60 Hz (auto-ranging); Fuse: F12 A, 250 V
  • Power & Current: 790 W / 6.70 A @ 120 V, 60 Hz; 772 W / 3.80 A @ 208 V, 60 Hz; 768 W / 3.44 A @ 230 V, 50 Hz
  • Power Linking: 1 unit @ 120 V; 3 units @ 208 V; 3 units @ 230 V
  • Environmental: IP65 (temporary outdoor/wet use); 14°F to 113°F (-10°C to 45°C)
  • Certifications: CE, MET, UKCA, FCC
  • Included: COLORado PXL Curve 12, (2) Omega brackets, Seetronic PowerCON IP65 power cord
  • Optional: Professional clamps, Neutrik TRUE1 power linking cables, 5-pin DMX, etherCON

This connectivity and service path is designed for fast load-ins, reliable outdoor operation, and minimal downtime when updating or reconfiguring fixtures on site.

How to Deploy the Chauvet Professional COLORado PXL Curve 12

1) Pre-Flight & Contents Check

  • Verify box contents: COLORado PXL Curve 12, (2) Omega brackets, Seetronic PowerCON IP65 power cord.
  • Confirm site conditions meet spec: IP65 temporary outdoor/wet use, ambient 14°F to 113°F (-10°C to 45°C).
  • Plan rig spacing and lifts around the fixture size/weight: 39.21 × 7.09 × 12.80 in, 76 lb (34.5 kg).

2) Rigging & Physical Setup

  • Attach the included slotted Omega brackets to the chassis for fast truss mounting.
  • Use appropriate professional clamps (optional accessory) matched to your truss and load plan.
  • Maintain a straight line and consistent spacing so the fixture’s pixel pitch matches across multiple units.
  • Leave clearance for head movement; each of the 12 heads provides up to 200° of tilt.
  • Set tilt range limits (60°/180°/200°) to prevent collisions with scenic, cables, or neighboring fixtures.

3) Power In & Linking

  • Input mains: 100–240 VAC, 50/60 Hz (auto-ranging); internal protection: F12 A, 250 V fuse.
  • Connect power using Seetronic PowerCON IP65 input. For daisy-chains, use TRUE1-compatible linking on the IP65 output.
  • Respect linking limits per spec: 1 unit @ 120 V; 3 units @ 208 V; 3 units @ 230 V.
  • Typical draw: up to 790 W / 6.70 A @ 120 V, 772 W / 3.80 A @ 208 V, 768 W / 3.44 A @ 230 V.

4) Data & Network Topology

  • Choose your transport:
    • DMX-512 (5-pin IP65 XLR)
    • Art-Net or sACN via IP65 etherCON
    • Kling-Net for pixel-mapping workflows
  • Enable RDM to set addresses, personalities, and perform basic troubleshooting remotely.
  • Select a personality based on show complexity: 20ch, 53ch, 101ch, 155ch, 179ch (also available over Art-Net/sACN).
  • Note: Standalone color mixing is not available; use DMX/network or the fixture’s built-in/custom programs.

5) Pixel Mapping & Visual Alignment

  • Map all 12 pixel heads per fixture; the product maintains pixel pitch between fixtures for seamless lines.
  • Keep fixture orientation consistent so head order and tilt direction track identically across the run.
  • For deep per-head control and animation, use the 179-channel profile; for quick busking or smaller consoles, start with 20/53-channel modes.

6) Optics, Tilt & Motion Limits

  • Set per-head motorized zoom within 5.7°–36.3° to move from tight beams to wide washes.
  • Program 200° tilt for sweeps; apply 60° or 180° tilt limits where scenic/clearance is tight.
  • Leverage 12 individual zoom zones to create beam-to-wash morphs and wave effects along the bar.

7) Dimming, PWM & Strobe for Cameras and DJs

  • Select one of 5 dim modes to tune fade behavior and low-end response.
  • Choose PWM to match your capture needs: 600, 1200, 2000, 4000, 6000, or 15,000 Hz for video-friendly output.
  • Use the electronic 0–20 Hz strobe for blinder hits, pulses, and rhythmic effects.
  • Apply color temperature presets (2700–8000 K) to quickly align with cameras or stage looks.

8) Built-In Programs & Show Acceleration

  • Start fast with built-in automated programs; layer virtual gobos, movement macros, and foreground/background color control.
  • Create custom programs and save/recall for repeatable cues in installs or festival changeovers.

9) Outdoor & Service Considerations

  • Use only IP65-rated data and power interconnects in wet locations (5-pin XLR IP65, etherCON IP65, PowerCON IP65 / TRUE1-compatible).
  • When firmware updates are required, use the IP65-rated USB-C software upload port.

Quick Deployment Recipes

  • Touring Pixel Line: Art-Net or sACN over etherCON IP65, 179ch for per-head zoom/tilt/FX, PWM 6–15 kHz for IMAG.
  • Club / DJ Booth: DMX 5-pin IP65 in 53ch, use built-ins + customizable programs; set tilt limit to 180° over the booth.
  • Outdoor Event: Chain power within limits (1 @120 V; 3 @208/230 V), lock connectors, set PWM high; choose 200° tilt only where clear.

COLORado PXL Series — Multi Pixel Battens (IP65) Comparison

Model LEDs Pixels/Heads Zoom Range (°) Tilt Output (lm / lux@5 m, narrow) IP Rating Control Protocols Power @120 V Size/Weight
COLORado PXL Curve 12 12 × 45W RGBW 12 independent tilting heads 5.7–36.3 200° (per head) 5,807 lm / 38,727 lux IP65 DMX / sACN / Art-Net / Kling-Net; RDM 790 W, 6.70 A 39.21×7.09×12.80 in / 76 lb
COLORado PXL Bar 8 8 × 45W RGBW 8 pixels; bar tilt 3.6–47.3 200° 3,503 lm / 12,109 lux IP65 DMX / sACN / Art-Net / Kling-Net; RDM 422 W, 3.50 A 19.69×5.47×10.75 in / 25.2 lb
COLORado PXL Bar 16 16 × 45W RGBW 16 pixels; bar tilt (2 zoom sections) 5.8–47.9 200° 8,959 lm / 27,415 lux IP65 DMX / sACN / Art-Net / Kling-Net; RDM 790 W, 6.60 A 39.37×5.47×10.75 in / 45.6 lb

Why Choose from AVMaxx

We build with verified data, then translate it into deployment wins. Our guidance for the COLORado PXL Curve 12 is grounded in the exact specs you rely on—12×45W RGBW heads with 200° tilt, 5.7°–36.3° zoom, full DMX/sACN/Art-Net/Kling-Net control, and IP65 I/O. We don’t guess; we turn the manufacturer’s numbers into field-ready steps that save time on site.

  • Pixel mapping made practical: We design runs that preserve the fixture’s maintained pixel pitch so long lines render as one seamless canvas.
  • Clean patches, fewer revisions: Channel-profile choices (20/53/101/155/179) mapped to your show goals—quick busking or deep per-head animation.
  • Camera-friendly setups: PWM and dimming mode recommendations that keep video flicker out of your deliverables.
  • Outdoor confidence: TRUE1-compatible linking and IP65 data paths specified for wet locations and fast changeovers.
  • DJ to festival scale: From club booths to festival truss lines, we document tilt limits, zoom zoning, and power linking so crews move faster.

Bottom line: you get straight answers, deployment recipes that match your rig, and a partner who speaks console, networking, and real-world load-in.

Frequently Asked Questions — COLORado PXL Curve 12

Does each head really tilt independently, and can I limit travel?

Yes. All 12 heads have independent tilt up to 200°. You can set tilt range limits to 60°, 180°, or the full 200° to avoid collisions with scenic and adjacent fixtures.

What DMX personalities are available and do they match over Art-Net/sACN?

Five profiles: 20, 53, 101, 155, 179 channels. The same profiles are available over DMX-512, Art-Net, and sACN, with RDM for remote addressing and basic troubleshooting.

Is there standalone color mixing, or should DJs run network/DMX?

Standalone color mixing is not provided. Use DMX or IP control (Art-Net/sACN) or leverage the built-in automated programs with virtual gobos and movement macros for fast DJ shows.

What’s the recommended setup for camera work to avoid flicker?

Select a higher PWM frequency: 4000, 6000, or 15,000 Hz. Pair with the dim mode that best suits your fades, and set zoom between 5.7°–36.3° as needed for beam or wash shots.

How many units can I power-link and what’s included in the box?

Power linking limits: 1 unit @ 120 V; 3 units @ 208 V; 3 units @ 230 V. Included: COLORado PXL Curve 12, (2) Omega brackets, and a Seetronic PowerCON IP65 power cord.

Is it safe for outdoor use and what are the operating temps?

Yes—rated IP65 for temporary outdoor/wet use with IP65 5-pin DMX and IP65 etherCON. Operating ambient: 14°F to 113°F (-10°C to 45°C).

Tell us your truss run, control method, and camera needs—we’ll provide a clean patch, PWM settings, and a pixel map that’s ready for load-in.

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