Chauvet Professional COLORado PXL Bar 8 IP65 RGBW Pixel Bar

Chauvet Professional COLORado PXL Bar 8: Compact IP65 RGBW Pixel Batten with 200° Tilt and 3.5°–47.3° Zoom

The COLORado PXL Bar 8 brings tour-grade punch and precision to smaller footprints. Its engine of 8 × 45 W RGBW LEDs delivers smooth color mixing and calibrated whites (6121 K, CRI 64), while the motorized 3.5°–47.3° zoom shifts from needle-thin beams to broad scenic washes. A quiet, fast 200° tilt unlocks bold sweeps and focus shifts, and the bar maintains pixel pitch between fixtures so long runs read clean on stage and on camera.

For control, it speaks DMX, sACN, Art-Net, and Kling-Net, is fully pixel mappable, and supports RDM for remote addressing and diagnostics. Built-in virtual gobos, movement macros, and foreground/background color layers speed programming, while selectable PWM up to 15 kHz keeps looks flicker-free on IMAG. IP-ready connections—Seetronic Powerkon IP65 plus IP65 5-pin DMX/RJ45—and a USB-C software upload port make deployment straightforward with the included slotted Omega bracket.

Performance notes: up to 12,109 lux @ 5 m (narrow), approx. 3,503 lumens (wide), with repeatable beam (3.5°–30.8°), field (5.2°–42.7°), and cutoff (8.5°–47.3°) angles—all inside a compact 500 mm chassis suited to tight trims and modular scenic frames.

• Real-World Applications & Show Roles
• Truss edging, DJ façades, and riser outlines that need pixel-mapped chases without overfilling the rig.
• Broadcast/IMAG washes leveraging high-PWM dimming and curated dim curves.
• Runway and festival set pieces where consistent pixel pitch across linked bars matters.
• Club installs and rental packages demanding IP65 reliability with fast tilt and zoom looks.

Where the COLORado PXL Bar 8 Excels

• Outdoor & Wet-Location Rigs: IP65 build with sealed power/data and -4 °F to 113 °F operation.
• Pixel-Mapped Designs: 8-cell RGBW mapping plus virtual gobos and macros for quick, readable eye candy.
• Tight Footprints: 500 mm length fits between scenic elements, keeping lines continuous on smaller truss bays.
• Camera-Critical Shows: PWM 600 Hz–15 kHz and multiple dim curves for smooth fades on video.
• Touring & Rentals: Slotted Omega mounting, IP connectors, and consistent pixel spacing for clean arrays.
• DJ & Club Looks: Fast tilt/zoom with foreground/background color layering for instant show polish.

Control Modes for the COLORado PXL Bar 8

Protocol Options: Run over DMX for classic console workflows, sACN or Art-Net for networked universes, or Kling-Net for plug-and-play media-server mapping. RDM enables remote addressing, status, and troubleshooting from compatible controllers.

• Personalities (10 total): Single Mode profiles at 19/51/89/105 channels; Dual Mode LED at 24/32/64 channels; Dual Mode Movement at 7/19/25 channels—choose depth to match your programming style.
• Pixel Control: Fully pixel mappable across 8 RGBW cells for chases, gradients, and content-driven effects.
• Zoom Control: Motorized zoom from 3.5°–47.3° for tight beams or wide scenic coverage.
• Tilt Control: 200° tilt with selectable ranges (60°/180°/200°) to cap travel in tight trims.
• Dimming & Strobe: Electronic dimmer with 2 dim modes and 4 dim curves; electronic strobe 0–20 Hz.
• PWM & Video: Selectable PWM at 600, 1,200, 2,000, 4,000, 6,000, or 15,000 Hz to mitigate flicker on camera.
• Built-In Effects: Virtual gobos, movement macros, and foreground/background color control to accelerate programming.

Connectivity: IP65 5-pin DMX and Seetronic IP-rated RJ45 in/out for control; Seetronic Powerkon IP65 for locking AC; USB-C for software uploads.

LED Color Engine & Motorized Zoom Optics of the COLORado PXL Bar 8

Driven by 8 × 45 W RGBW LEDs, the PXL Bar 8 produces tight aerials and broad scenic washes with a motorized 3.5°–47.3° zoom (single-cell control to 4°–45.5°). Calibrated white lands at 6121 K with a CRI of 64 for consistent whites and pastels. Beam, field, and cutoff are engineered for predictable looks—3.5°–30.8° (beam), 5.2°–42.7° (field), and 8.5°–47.3° (cutoff).

Output metrics are practical and repeatable: approx. 3,503 lumens at wide, up to 12,109 lux @ 5 m at the narrow end, and about 563 lux @ 5 m when fully open. This compact 500 mm bar slots into tight trims while still delivering tour-grade punch.

Pixel Mapping Architecture: Kling-Net, Art-Net & sACN Workflows (Maintained Pixel Pitch)

Each of the 8 RGBW cells is fully pixel-mappable for gradients, chases, and content-driven animations. Choose Kling-Net for plug-and-play media mapping or run Art-Net/sACN alongside traditional DMX for console-centric shows. RDM enables remote addressing and status checks to speed turnover between events.

Programming accelerators—virtual gobos, movement macros, and foreground/background color control—generate eye-candy quickly. When multiple bars are linked, the unit maintains pixel pitch between fixtures, preserving clean lines across truss edges, DJ façades, and scenic frames.

DMX Personalities & Trait Structure, Dimming Curves & High-PWM Video Performance

The control set offers 10 personalities to match your workflow. Single Mode profiles: 19, 51, 89, 105 channels. Dual Mode LED: 24, 32, 64 channels. Dual Mode Movement: 25, 19, 7 channels. Mirrored channel counts are available over Art-Net as specified. Core dynamics include an electronic dimmer with 2 dim modes, 4 dimming curves, and an electronic strobe from 0–20 Hz.

For camera-critical rigs, select PWM at 600, 1,200, 2,000, 4,000, 6,000, or 15,000 Hz to mitigate flicker on IMAG and broadcast capture while preserving smooth fades and color integrity.

Tilt Mechanics & Movement Ranges (60° / 180° / 200°) and Show Use Cases

A quiet, fast 200° tilt transforms linear pixels into dynamic sweeps and audience looks. Selectable 60° and 180° ranges cap travel for low trims, risers, and tight scenic corridors, minimizing collision risk with adjacent set pieces.

Pair tilt motion with narrow zoom for crisp aerial fans, or split duties—one bar wide for wash tone, another narrow for beam accents. The compact 19.69 in (500 mm) length supports modular arrays that read clean on stage and on camera.

IP65 Connectivity & Power Architecture (Seetronic Powerkon, 5-Pin DMX/RJ45, USB-C, GORE Valve)

All connections are tour-ready and sealed: Seetronic Powerkon IP65 for locking AC (TRUE1-compatible in/out), IP65 5-pin DMX and Seetronic IP-rated RJ45 for control, plus an IP65 USB-C port for software uploads. The fixture is IP65 rated for temporary outdoor/wet use and includes a pressure-equalizing M12 GORE valve to help protect seals through temperature swings.

Electrical specs support real-world distro planning: 100–240 VAC, 50/60 Hz auto-ranging; power draw of 422 W / 3.497 A @ 120 V, 409 W / 2.013 A @ 208 V, and 407 W / 1.830 A @ 230 V. Power linking: up to 3 units @ 120 V, 5 units @ 208 V, and 6 units @ 230 V. Included slotted Omega bracket speeds truss mounting and alignment.

How to Deploy the COLORado PXL Bar 8 in the Field

Rigging & Mounting

• Truss / pipe hangs: Fit the included Omega bracket with your rated clamps, then attach a safety to a dedicated chassis point. Set tilt limits so the 200° range clears chords, scenery, and cables.
• Low trims & tight bays: Use the selectable 60° / 180° / 200° tilt ranges to cap travel where space is limited or where fixtures sit close to set pieces.
• Floor / riser use: Place on a suitable base or stand designed for Omega mounting. Confirm that full tilt travel won’t contact façades, scrims, or backline.

Arraying & Pixel Pitch

• End-to-end runs: Butt fixtures together to maintain pixel pitch between units; the compact 500 mm (19.69") length makes spacing straightforward on short truss spans and DJ façades.
• Sightline planning: Keep all 8 RGBW cells visible from audience and cameras; stagger height or angle as needed for uninterrupted lines.

Optics & Looks

• Zoom strategy: Use ~3.5°–10° for needle beams and aerial fans; open toward 47.3° to paint scenic elements and backdrops.
• Fast looks without heavy programming: Combine virtual gobos, movement macros, and foreground/background color control for quick, readable animations.
• Color & whites: Leverage the calibrated white (6121 K) and smooth RGBW mixing for consistent camera-friendly tones.

Control & Networking

• Protocol choices: Patch via DMX for classic console control; use Art-Net / sACN for networked universes; choose Kling-Net for plug-and-play media-server mapping. RDM supports remote addressing and status.
• Personalities: Select from 10 modes to match workflow—Single Mode 19/51/89/105 ch; Dual Mode LED 24/32/64 ch; Dual Mode Movement 7/19/25 ch.
• Video capture: Set PWM to 4–15 kHz for camera-heavy shows; confirm on IMAG during focus.
• Dimming feel: Choose among 2 dim modes and 4 dim curves to match theatrical fades or EDM bumps; strobe is 0–20 Hz.

Power & Cabling

• Locking AC: Use Seetronic Powerkon IP65 for power in/out (TRUE1-compatible). Observe linking limits: 3 units @ 120 V, 5 units @ 208 V, 6 units @ 230 V.
• Data: Daisy-chain IP65 5-pin DMX or run Seetronic IP-rated RJ45 for Art-Net/sACN. Keep connectors fully seated; strain-relieve runs at the bracket.
• Service: Use the IP65 USB-C port for software uploads during prep; replace port caps before showtime.

Commissioning Checklist

• Verify address/universe per truss zone; label home positions and tilt ranges.
• Confirm PWM and dim curve standards across all PXL Bars for consistent fades.
• Run a quick pass of virtual gobos/movement macros to confirm pixel order and mapping.
• Check all IP65 power/data connections for positive latch and proper strain relief.
• Perform a narrow-to-wide zoom sweep and full 200° tilt travel test before doors.

Why Choose the COLORado PXL Bar 8 from AVMaxx

• Spec-accurate builds, every time: We publish only current manufacturer data—no estimates—so your photometrics, modes, and power math are right the first time.
• Pixel-run planning for smaller bays: We map end-to-end lines that maintain pixel pitch and exploit the compact 500 mm chassis for tight truss and DJ façades.
• Camera-ready guidance: We recommend PWM (600–15 kHz) and dim-curve choices that keep fades smooth for IMAG and streaming.
• Power linking made simple: We pre-calc distro with the real figures—3 @ 120 V, 5 @ 208 V, 6 @ 230 V—to avoid surprises onsite.
• Protocol best practices: Clear direction on DMX vs. Art-Net/sACN vs. Kling-Net, plus RDM setup, so universes and media mapping stay clean.
• Right accessories on the first pull: Omega-compatible clamps, IP-rated data, and travel cases matched to your deployment style.