Chauvet Professional COLORado PXL Bar 16 IP65 RGBW Pixel Bar

Chauvet Professional COLORado PXL Bar 16: IP65 Pixel-Mapped RGBW Batten with 200° Tilt and Motorized Zoom

The COLORado PXL Bar 16 is a tour-ready, IP65-rated tilting pixel bar built for outdoor stages, coastal installs, and high-impact production looks. Its engine of 16 × 45W RGBW LEDs delivers smooth color mixing and calibrated whites, while the 5.8°–47.9° motorized zoom shifts from razor beams to wide washes. A 200° tilt range enables powerful sweeps and focusable uplight/downlight throws, and the batten maintains pixel pitch when you link multiple units for seamless scenic lines.

For show control, it speaks DMX, sACN, Art-Net, and Kling-Net, is fully pixel mappable, and supports RDM for remote addressing and troubleshooting. Built-in virtual gobos, movement macros, and foreground/background color layers accelerate programming of complex pixel animation effects. The optical system supports dual-section (2-zone) zoom for dynamic beam shaping, and the dimming suite includes 2 dim modes, 4 dimming curves, and selectable PWM (600 Hz–15 kHz) for flicker-free camera work. IP-ready connections—Seetronic Powerkon IP65 and IP65 5-pin DMX/RJ45—plus a USB-C software upload port and slotted Omega brackets round out a hardware package designed for fast, reliable deployment.

Performance Notes: up to 27,415 lux @ 5 m (narrow), approx. 8,959 lumens (wide), calibrated white 6122 K, and a robust operating window of -4 °F to 113 °F for demanding environments.

• Real-World Applications & Show Roles
• Festival-grade pixel batten for truss edging, set outlines, and runway chases.
• Mobile DJ façades, risers, and backdrops needing IP65 durability and fast looks.
• Broadcast and IMAG-friendly washes using high-PWM dimming and curated dim curves.
• Architectural accents and touring installs requiring maintained pixel pitch across linked fixtures.

Where the COLORado PXL Bar 16 Excels

• Outdoor & Coastal Stages: IP65 housing, sealed power/data, and -4 °F to 113 °F operation for reliable wet-location use.
• Pixel-Mapped Media Designs: 16-cell RGBW mapping with virtual gobos and macros for fast-moving eye-candy looks.
• Dynamic Beam Crafting: 5.8°–47.9° zoom plus 2-section zoom control for evolving shapes within the same bar.
• Tilt-Driven Aerials: Quiet, rapid 200° tilt for impactful sweeps, audience looks, and focus shifts.
• Camera-Critical Rigs: Selectable PWM up to 15 kHz and multiple dim curves for smooth, flicker-free fades.
• Touring & Rentals: Slotted Omega brackets, IP connectors, and consistent pixel pitch for clean lines across large arrays.
• DJ Truss & Facades: Quick programming via built-in effects; foreground/background color layering speeds show creation.

Control Modes for the COLORado PXL Bar 16

Protocol Options: Connect over DMX for traditional console workflows, use sACN or Art-Net for networked show control, or deploy Kling-Net for plug-and-play media server mapping. RDM enables remote addressing, status checks, and diagnostics from compatible controllers.

• Pixel Control: Fully pixel-mappable across 16 RGBW cells; ideal for chases, gradients, and content-driven effects.
• Zoom Control: Motorized zoom with dual-section (2-zone) zoom for asymmetrical or layered beam shaping.
• Tilt Control: Quiet, fast 200° tilt with selectable 60°/180°/200° ranges for tailored movement.
• Dimming & Strobe: Electronic dimmer with 2 dim modes and 4 dim curves; electronic strobe 0–20 Hz.
• PWM & Video: Selectable PWM at 600, 1,200, 2,000, 4,000, 6,000, or 15,000 Hz for flicker mitigation on camera.
• Built-In Effects: Virtual gobos, movement macros, and foreground/background color control to accelerate programming.

Connectivity & Power: IP65-rated 5-pin DMX and Seetronic RJ45 in/out support hardline control, while Seetronic Powerkon IP65 streamlines power. A USB-C port is provided for software uploads.

LED Color Engine & Motorized Zoom Optics of the COLORado PXL Bar 16

The PXL Bar 16 drives 16 × 45 W RGBW LEDs for dense, homogenized output with fast response and clean color rendering. Its optical system shifts from tight beams to broad scenic washes via a motorized zoom covering 5.8°–47.9° (single-cell control reaches 4°–45.5°). Designers can sculpt looks further using the measured beam (5.8°–30.4°), field (8.9°–42.2°) and cutoff (10°–47.9°) angles, ensuring predictable photometrics across the rig.

For scenes requiring accurate whites, the fixture offers a calibrated white of 6122 K (native package approx. 8,875 K). On a wide zoom at 43.3°, output measures around 8,959 lumens; at the narrow end (~5.7°) it delivers up to 27,415 lux @ 5 m, providing real punch for aerials, scenic accents, and crisp DJ backlines.

Pixel Mapping Architecture: Kling-Net, Art-Net & sACN Workflows

With 16 fully mappable RGBW cells, the PXL Bar 16 executes gradients, chases, and content-driven animations with minimal setup. Connect to Kling-Net for plug-and-play media server mapping, or choose Art-Net / sACN for networked console workflows alongside traditional DMX. RDM support allows remote addressing and status checks for faster changeovers.

Programming pace is accelerated by virtual gobos, movement macros, and foreground/background color layers, so show builders can combine pixel textures with motion for eye-candy that reads from the floor to the balcony. When multiple bars are linked, the unit maintains pixel pitch between fixtures, preserving visual continuity across long lines and scenic frames for festivals, clubs, and touring DJ façades.

DMX Trait Logic, Dimming Behavior & High-PWM Video Performance

The fixture’s control set is designed for both live busking and timeline shows. It features an electronic dimmer with 2 dim modes and 4 dimming curves to tailor fade response for theatrical cues or EDM transitions. An electronic shutter/strobe runs from 0–20 Hz for pulses, bumps, and camera-friendly flashes.

For broadcast, IMAG, and content capture, the PXL Bar 16 provides selectable PWM frequencies at 600, 1,200, 2,000, 4,000, 6,000, or 15,000 Hz, mitigating rolling bands across a wide range of camera systems. Combine per-cell control with these PWM and curve options to achieve smooth fades on close-ups and confident wide shots for concert films, live streams, and premium DJ video walls.

Tilt Mechanics & Dual-Section Zoom Behavior (60° / 180° / 200° Ranges)

The batten’s quiet, rapid 200° tilt turns straight pixel lines into dynamic sweeps and audience looks without masking motors or raising noise floors. Selectable tilt ranges—60°, 180°, or full 200°—let programmers cap travel for tight riser placements, LED façades, or low trims.

The optical train supports a dual-section (2-zone) zoom, unlocking asymmetrical or layered beam shapes within a single fixture. Blend narrow and wide segments for kinetic looks that evolve mid-cue, or mirror zones across linked units while the system preserves pixel pitch. The result is fluid motion combined with controlled beam geometry—ideal for runways, backline crowns, and truss toning in mobile DJ rigs.

IP65 Connectivity & Power Architecture (Seetronic Powerkon, 5-Pin DMX/RJ45, USB-C, GORE Valve)

Built for weather-exposed venues, the PXL Bar 16 uses IP65-rated connectors end-to-end: 5-pin DMX and Seetronic IP-rated RJ45 for data, plus Seetronic Powerkon IP65 for locking AC—TRUE1-compatible in/out for rugged power distribution. A USB-C software upload port simplifies firmware updates at the shop or side stage.

The supply is 100–240 VAC, 50/60 Hz auto-ranging, with measured draw of 790 W / 6.60 A @ 120 V, 771 W / 3.821 A @ 208 V, and 768 W / 3.485 A @ 230 V. Power linking is supported for up to 3 units @ 208/230 V (none at 120 V). Environmental design includes an IP65 rating for temporary outdoor/wet use and a pressure-equalizing M12 GORE valve to protect seals over temperature swings. Standard hardware—slotted Omega brackets and a 5 ft (1.5 m) power lead—speeds installs across truss, scenic frames, and architectural rails.

How to Deploy the COLORado PXL Bar 16 in the Field

Rigging & Mounting

• Truss hangs: Use the included slotted Omega brackets to attach your preferred clamps, then secure a safety to a rated point on the chassis. Aim the bar so the 200° tilt clears truss chords and scenery at your show trim.
• Floor or riser placement: Mount the brackets as feet for ground stacks. Use the 60°/180°/200° tilt ranges to cap travel and prevent collisions with façades, scrims, or backline.
• Vertical/portrait runs: For scenic “light towers,” rotate the bar and align multiple units vertically. Verify tilt travel before show-time to avoid hitting adjacent elements.

Arraying & Pixel Pitch

• Seamless lines: Butt fixtures end-to-end to maintain pixel pitch between units. The 39.37 in (1000 mm) length simplifies consistent spacing across long truss sticks and set frames.
• Sightline planning: Stagger heights or rake angles to keep all 16 RGBW cells readable from audience and camera positions.

Optics & Looks

• Zoom strategy: Use 5.8°–10° for tight aerials and punchy chases; open toward 47.9° for wide scenic washes and backdrop toning.
• Dual-section zoom: Leverage the 2-zone zoom to layer narrow and wide segments in a single cue for evolving shapes and sweeps.
• Built-in effects: Start fast with virtual gobos, movement macros, and foreground/background color control to build animation without heavy programming.

Control & Networking

• DMX/RDM: Patch via DMX and use RDM for remote addressing and diagnostics. Choose dim behavior with 2 dim modes and 4 dimming curves.
• Art-Net / sACN: For networked shows, connect via IP65-rated RJ45. Assign universes logically per truss or scenic zone to keep pixel maps tidy.
• Kling-Net: For plug-and-play media mapping, put the bar on your media server’s Kling-Net network and discover all 16 mappable cells automatically.
• Video capture: Set PWM to 4 kHz–15 kHz for camera-heavy environments and verify on IMAG before doors.

Power & Cabling

• Locking AC: Use Seetronic Powerkon IP65 for power in/out. At 120 V do not power link (0 units). At 208/230 V, you can link up to 3 units per run—plan headroom accordingly.
• Data reliability: Choose IP65 5-pin DMX for daisy-chains or Seetronic IP-rated RJ45 for Art-Net/sACN. Keep connectors fully seated and strain-relieved.
• Service: Use the USB-C port for software uploads during prep; keep ports protected during shows.

Commissioning Checklist

• Confirm fixture orientation, tilt range (60°/180°/200°), and clearance at full travel.
• Verify universe/address, dim curve, and PWM settings for the rig’s control standard.
• Run a quick pass of virtual gobos and macros to validate pixel order and mapping.
• Check all IP65 power/data connections for positive latching and proper strain relief.

Why Choose the COLORado PXL Bar 16 from AVMaxx

• Verified, current specs—no guesses: We build using the manufacturer’s latest data only, so your decisions are based on accurate photometrics, control options, and power figures.
• Design guidance that saves programming time: We help you align protocol choice (DMX vs. Art-Net/sACN vs. Kling-Net) with your console or media server so pixel maps and universes stay clean.
• Camera-ready configuration tips: We advise on PWM selection (600–15k Hz) and dim curve behavior to keep fades smooth and IMAG-friendly in live capture environments.
• Deployment know-how for seamless lines: From maintaining pixel pitch across linked bars to managing 60°/180°/200° tilt ranges, we offer practical rigging and spacing guidance.
• Power planning for real stages: Clear guidance on current draw and safe linking—0 units at 120 V; up to 3 at 208/230 V—so distro and headroom are dialed before load-in.
• Right accessories, first try: We match clamps, cases, and IP-rated data/power to the venue and workflow, reducing last-minute runs and tour-week surprises.