Chauvet DJ GigBAR Move + ILS with Moving Heads and Laser FX

Chauvet DJ GigBAR Move + ILS: Turnkey 5-in-1 ILS lighting system for mobile DJs, weddings, and small venues

GigBAR Move + ILS is a complete, bar-mounted rig that packs two moving heads, multi-beam derbies, dual hex-color washes (RGBAW+UV), a full-color RGB laser, and crisp white strobe into one fast-deploy system. With a built-in D-Fi transceiver and Integrated Lighting System (ILS) control onboard, the bar can wirelessly drive cohesive shows across other ILS-enabled fixtures—no extra controller required. Totem Mode locks the heads to the dancefloor, while a full-color LCD speeds up addressing and setup for tight event timelines. The kit ships ready for gigs with a tripod, wireless footswitch, RF remote, and carry bags.

The result is a compact, reliable lighting spine that covers wash, beam, motion, laser, and strobe from a single power drop—ideal when you need polished looks, quick changeovers, and minimal cabling.

• Real-World Applications and Sound Roles:
• Mobile DJ rigs needing plug-and-play ILS show control
• Wedding receptions and private events with rapid load-in/out
• Bars, lounges, and small clubs seeking full-room coverage from one bar
• School dances, corporate socials, and holiday parties with limited power runs

Where This System Excels

• Turnkey Coverage: One bar handles moving spots, washes, derby beams, laser, and strobe for complete room looks.
• ILS Show Sync: Acts as the ILS brain to wirelessly synchronize other ILS fixtures for cohesive, multi-fixture shows.
• Speed of Setup: Tripod mount, included remote/footswitch, and onboard LCD streamline load-in and addressing.
• Dancefloor Focus: Totem Mode keeps moving heads aimed at guests—no ceiling sweeps.
• Small-Venue Power Strategy: Consolidates effects on one power drop to reduce cabling and outlets.
• Hands-Free Control: Sound/Auto programs plus footswitch/RF remote for live control without a console.

Control Modes

• ILS Ecosystem: Built-in D-Fi lets the bar operate as the ILS controller for other ILS fixtures. ILS provides four sync modes; Modes 1 & 3 follow side 1 of the bar and Modes 2 & 4 follow side 2, aligning similar effects (spots, washes, derby, laser, strobe) across the rig.
• DMX Control: Three selectable profiles—3-channel, 29-channel, or 51-channel—ranging from macro control to full, per-effect parameter access.
• Stand-Alone Shows: Auto and Sound-Active programs with adjustable mic sensitivity, program timing, strobe amount, and spot movement speed for quick, polished looks.
• RF Remote & Wireless Footswitch: Included handheld RF remote and 4-button footswitch provide instant access to colors, shows, blackout, and sound mode—perfect for live DJ control.
• Master/Slave (GigBAR-to-GigBAR): Run one bar as master to mirror additional bars without a console; pair with ILS to extend synchronized looks to other fixtures.
• On-Fixture UI: Full-color LCD with menu navigation for addressing, ILS role/binding, D-Fi channel, pan/tilt ranges, Totem behavior, and resets.

ILS Architecture & Linking on the GigBAR Move + ILS

The GigBAR Move + ILS is the command spine of Chauvet DJ’s Integrated Lighting System (ILS). When ILS is engaged, the bar becomes the time base and effect map for other ILS-enabled fixtures so your washes, beams, derbies, laser, and strobe land in sync without a console.

• Four ILS modes, mapped by “sides”: Modes 1 & 3 synchronize with Side 1 of the bar; Modes 2 & 4 synchronize with Side 2. Similar effects follow their counterparts (spots with spots, washes with washes, derbies with derbies). Laser and strobe sync regardless of the selected side.
• Wireless show control: Built-in D-Fi enables cable-free ILS linking to other ILS fixtures so looks roll out across the rig from the bar’s engine.
• Practical takeaway: Place the bar center-stage; assign ILS roles so flanking fixtures mirror the correct “side,” and your whole front-of-house reads as one programmed system.

DMX Channel Modes & Trait Mapping

Choose the DMX profile that matches your programming depth and universe budget. All profiles expose core looks; higher counts unlock granular parameter control for each effect family.

• 3-Channel: Macro/scene control for rapid show integration and minimal addressing.
• 29-Channel: Grouped access to major engines (pars, derbies, strobe, laser, spots) with speed/intensity layers.
• 51-Channel (full): Per-effect control including Par 1/Par 2 RGBAW+UV dimming and strobe, Derby 1/2 color and rotation, Strobe quad-zone control, Laser color/pattern selection, and Spot 1/2 pan/tilt (with fine), color wheel, gobo wheel, dimmer, and shutter effects.

Tip: The 51-ch profile is the best fit for busking or timecoded shows where per-engine timing and indexing matter.

Internal Programs & Standalone Show Engine

When you need polished looks without a desk, the built-in show engine covers Auto and Sound workflows with tunable behavior for different rooms and timelines.

• Auto / Sound-Active Mixed Effect modes: Run coordinated looks across all engines; adjust Sound Sensitivity to match room SPL and speaker placement.
• Parameter tuning from the bar: Set Strobe amount, Program Time (scene dwell), Pars Color palette (Tri, Quad, Hex), and Spot Speed for movement tempo.
• Signal-loss behavior: Define how the bar behaves on audio loss (Freeze, Blackout, or slow movement) to keep shows graceful during mic drops or quiet moments.

On-Fixture UI, Wireless Binding & Focus Tools

A full-color LCD with a four-button interface streamlines addressing, role assignment, and wireless pairing. It also gives you show-critical aiming and orientation tools for tight installs.

• D-Fi wireless setup: Bind the bar and followers using TX/RX and a shared D-Fi channel (1–16) for Master/Slave or ILS operation without DMX cabling.
• RF control binding: Pair the included wireless footswitch (Auto, Sound, Static Colors for pars/derbies, Blackout) and RF remote (fixture-icon control, movement speed, color/effect selection) directly from the SETUP menu.
• Aiming & orientation: Set Pan/Tilt Reverse, restrict Pan Range (180°/360°/540°) and Tilt Range (90°/180°/270°), and choose which moving head responds to ILS “Follow Spot.”
• Dancefloor discipline: Totem Mode (from the product feature set) keeps moving-head output focused on the floor, not the ceiling.

Laser Safety & Programming Considerations

The GigBAR Move + ILS includes a full-color RGB laser that is classified as Class 3R at the aperture (IEC 60825-1:2014) and complies with FDA performance standards per Laser Notice No. 56. Internally it uses Class 3B power that is split into multiple Class 3R beams, so audience scanning is prohibited. For best practice, program your looks to keep laser output above head height and away from reflective surfaces.

• Emission Data (per manual): Red 638 nm/30 mW, Green 520 nm/20 mW, Blue 450 nm/50 mW; beam <5 mm at aperture; each beam <5 mW at the aperture; divergence <2 mrad (each beam), <160° total; all pulses <4 Hz (>0.25 s).
• Mounting & Separation: Install lasers at least 3 m (9.8 ft) above the floor and maintain at least 3 m horizontal separation from audience/public areas. Do not aim at people/animals or at reflective surfaces (glass, mirrors, shiny metal).
• Operational Limits: The product is not designed for continual use; include regular breaks during operation to maximize laser life.
• Compliance & Operators: Only trained operators should run Class 3R laser shows. Follow local regulations and consult ANSI Z136.1 and ILDA guidance where required.
• Programming Tips (from fixture tools): Use the on-fixture Pan Range/Tilt Range limits and orientation settings to keep beams above audience lines; verify looks during rehearsal and before doors.

How to Deploy in the Field

Goal: Fast, repeatable load-in for mobile DJ and small-venue shows using the included tripod, wireless footswitch, RF remote, and onboard ILS/DMX control.

• 1) Position & Mount
  Place the tripod center-front or upstage center where the bar can cover the room. Extend legs fully and level the stand. Mount the bar on the tripod (pass-through mount) or use the 3/8" threaded inserts for truss/ceiling installs.
• 2) Aim & Lock the Heads
  Set Totem Mode so the moving heads stay focused on the dancefloor (no ceiling sweeps). Rough-aim washes to fill the room, derbies to the dance area, and keep the laser above audience sightlines (never at people or reflective surfaces).
• 3) Power & Cabling
  Connect AC (100–240 VAC, auto-ranging). It is possible to power link up to 2 GigBAR MOVE + ILS products on 120 VAC or up to 4 GigBAR MOVE + ILS products on 230 VAC. Dress power and any DMX neatly down the stand for clean sightlines.
• 4) Choose Your Control Path
  Stand-Alone: Select Auto or Sound programs on the full-color LCD; set mic sensitivity, strobe amount, program time, and spot movement speed.
  RF / Footswitch: Pair the included RF remote and wireless footswitch for hands-free show control (colors, blackout, sound mode).
  DMX: Pick the required profile—3, 29, or 51 channels—and address the fixture. Use the full profile for per-engine control (spots, pars, derbies, strobe, laser).
  ILS: With built-in D-Fi, set the bar as your ILS controller, then link other ILS fixtures wirelessly (or via cable) for synchronized looks.
• 5) ILS Linking Workflow (Quick)
  Power the bar first ? choose ILS mode ? bind followers on the same D-Fi channel ? confirm synced looks. Use the on-screen menu to assign roles and verify each engine (spots, pars, derby, strobe, laser) is responding as expected.
• 6) Final Focus & Show Check
  Walk the room and fine-tune pan/tilt limits, wash coverage, derby spread, and laser masking. Run a short Sound-Active pass to confirm mic response relative to your PA placement and typical show volume.
• 7) Strike & Pack
  Power down, remove the bar, collapse the tripod, and pack the system into the included carry bags. Coil cables to the same lengths every night for consistent, fast turnovers.

These steps reflect the unit’s included hardware and built-in control options for reliable, repeatable deployments in the field.

Why Choose from AVMaxx

• Verified, manufacturer-accurate data only: Every spec and claim on this page comes directly from the Chauvet DJ documentation you provided—no guesses, no third-party “facts.”
• ILS ecosystem know-how: We build pages and packages around real ILS workflows—bar-as-controller, follower binding, and quick role assignment—so your rig syncs cleanly the first night out.
• Field-tested deployment guidance: Our copy isn’t fluff; it reflects tripod workflows, Totem behavior, DMX profile choices (3/29/51), and the correct power-linking limits (2 @ 120 V • 4 @ 230 V).
• Mobile DJ focus: We optimize for fast load-ins, minimal cabling, and hands-free control with the included RF remote and wireless footswitch.
• Clear comparisons that save time: Side-by-side charts show exactly how GigBAR Move + ILS differs from GigBAR Move ILS, Bridge ILS, and Flex so you buy once and deploy right.

We publish only what the manufacturer states—no estimates. If a spec changes, we update your page copy immediately to keep your team aligned.