All-Weather RGBL Power and Precision with the ADJ Encore LP12IP
The ADJ Encore LP12IP is a rugged, IP65-rated LED par built for high-output, all-conditions color washes using twelve (12) 20W Quad RGBL LEDs. It delivers **4700 lumens** of flicker-free output with a native 10° beam and a removable **25° frost filter** included—plus optional beam shaping filters for 20°, 60°, 100°, 30x60°, and 1x40° angles.
RGBL color mixing is supported by a true tunable white engine, allowing full **linear CCT control from 2700K to 7000K** and direct access to five calibrated white points. The Lime diode enhances visual punch, CRI performance (84.4 typical), and spectrum fill for camera and stage use alike. There are 64 built-in macros onboard for fast programming, plus selectable dimming modes and curves for nuanced control.
Touring-grade hardware includes IP-rated DMX and locking power connectors, a scissor yoke, safety eyelet, and full-metal construction. Four DMX modes (4, 5, 7, 11 channel) give you precise control access to color mixing, macros, pulse/strobe effects, CCT, dimming, and RDM data. Refresh rates can be user-selected across 14 presets—900Hz to 25,000Hz—for flicker-free operation in any broadcast or film application.
The LP12IP is ready for demanding indoor installs, mobile staging, and full-scale outdoor events where consistent output, flexible color tools, and IP65 protection are mission-critical.
- Broadcast studios & film shoots (flicker-free RGBL + CCT + macro)
- Outdoor stages and event lighting (IP65 housing + beam control)
- Touring & production rigs (RDM, refresh rate control, locking I/O)
- Theater & performance installs (6 dimmer modes + quiet fan mode)
Where This System Excels
- IP65 Outdoor Use: Rated for all-weather performance with sealed power and DMX ports.
- Lime-Enhanced Output: RGBL engine increases CRI, brightness, and white point smoothness.
- Tunable White CCT Control: Fully linear from 2700K to 7000K with five fast-access presets.
- Precision Dimming Options: Six dimming modes and four dimming curves match any application.
- Flexible Beam Shaping: Included 25° filter plus optional kits for 20°, 60°, 100°, and more.
- Broadcast Ready: 14 refresh rate presets and flicker-free performance for camera use.
Control Modes for the Encore LP12IP
The Encore LP12IP offers full protocol flexibility with 4 DMX modes—choose from 4, 5, 7, or 11-channel configurations depending on your system needs. All parameters are accessed through a rear-panel 4-button menu with a bright digital display, protected behind an IP65-rated enclosure for outdoor reliability.
Supported operational modes include:
- Static Color Mode: Recall solid color values using onboard RGBL dimming.
- RGBL Dimmer Mode: Direct intensity control per color (Red, Green, Blue, Lime).
- Program Mode: Use built-in color macros or sequences without DMX.
- Sound Active Mode: Pulse and color change effects respond to audio input.
- DMX Controlled Mode: Full control via external console or software.
Advanced control tools include:
- RDM Protocol Support for remote addressing and status monitoring.
- 6 Dimming Modes: Standard, Stage, TV, Architectural, Theatre, and Stage 2.
- 4 Dimming Curves: Linear, Square, Inverse Square, and S-Curve.
- Adjustable Refresh Rate: 14 selectable rates from 900Hz to 25,000Hz.
- Electronic Dimming: Smooth 0–100% with 16-bit fine control on each color.
LED Color Engine & RGBL Output of the Encore LP12IP
The Encore LP12IP uses twelve (12) 20W Quad-color LEDs, each combining Red, Green, Blue, and Lime emitters in a single package. This configuration delivers an incredibly smooth color field and enhanced brightness, especially in the low-end of the color spectrum. The Lime diode increases luminous efficacy in pastels and whites, while improving tonal warmth in skin tones and sunset hues.
All four color channels support 16-bit dimming for ultra-smooth fades and live performance transitions. With 64 factory color macros and true flicker-free operation for film and TV, the Encore LP12IP is ideal for stages, broadcast sets, and architectural applications.
DMX Channel Modes & Dimmer Logic
This fixture supports 4 DMX channel modes (4 / 5 / 7 / 11 channels), letting designers choose between simple static control or full-featured programming including strobe, macros, and variable color temperature blends. It also includes:
- 6 selectable dimming modes: Standard, Stage, TV, Architectural, Theatre, Stage 2
- 4 selectable dimming curves: Linear, Square, Inverse Square, S-Curve
- Adjustable refresh rate: 900Hz to 25,000Hz for flicker-free camera operation
These options give the LP12IP deep flexibility in professional environments, from outdoor events to permanent installs.
Onboard Operation & Standalone Modes
The rear panel features a 4-button LCD interface and supports 5 operational modes:
- Static Color Mode
- RGBL Dimmer Mode
- Program Mode
- Sound Active Mode
- DMX Controlled Mode
Strobe and pulse effects are also accessible directly from the onboard menu, as well as full-color temperature control between 2700K and 7000K. RDM is supported for remote address and config, making the fixture tech-friendly in any lighting grid or touring environment.
Advantages of LIME in the Encore LP12IP
The inclusion of Lime in the quad-LED formula delivers critical advantages for both visual design and output power:
- Higher Lumen Output: Lime LEDs enhance perceived brightness without oversaturating primary colors.
- Wider Color Range: Lime fills the spectral gaps left by RGB-only systems, improving color accuracy and pastel mixing.
- Natural Whites: Tunable color temperatures (2700K–7000K) benefit from Lime blending, especially for camera work or key lighting.
Designers looking for modern LED stage lighting with high-fidelity color will find the LP12IP's RGBL engine excels in demanding applications.
How to Deploy the ADJ Encore LP12IP in the Field
The Encore LP12IP is designed for flexible rigging in both indoor and outdoor settings. Its IP65-rated chassis with sealed connectors makes it ideal for live stages, architectural uplighting, and touring rigs that encounter rain, dust, or snow.
- Yoke Mounting: The scissor-style yoke allows for floor standing or truss mounting, with angle lock and safety eyelet for secure suspension.
- Lens Options: Comes standard with a 25° frost filter, with optional beam-modifying lenses available (20°, 60°, 100°, 30x60°, 1x40°) for tailored dispersion.
- Power & DMX Linking: Use IP-rated Locking Power connectors and 5-pin XLRs for outdoor runs, or switch to standard DMX cabling for indoor use.
- Fan Management: The LP12IP features quiet fan operation, making it suitable for theaters and broadcast studios where silence is essential.
Installers can safely deploy the Encore LP12IP in any orientation, and the locking connectors and sealed interface ensure long-term durability on rooftops, stages, or architectural facades.
Why Choose the ADJ Encore LP12IP from AVMaxx
At AVMaxx, we understand the critical demands of real-world lighting environments. The ADJ Encore LP12IP isn't just an IP-rated Par—it’s a fully tour-ready solution with RGBL quad color rendering, swappable frost filters, and flicker-free dimming for film and broadcast. We've specified this fixture in everything from coastal installs to wet-weather festivals because it delivers consistent results with zero compromise.
Our team knows the exact dimming curves, refresh rates, and lensing options that matter in pro-level environments—and we’re here to match the LP12IP to your application with precision and speed.
Get pro-level deployment advice, custom rigging options, and verified IP cabling directly from AVMaxx.
Frequently Asked Questions
Q: Can the Encore LP12IP be used for permanent outdoor installs?
A: Yes. Its IP65 rating protects it from dust, rain, and snow, making it ideal for rooftops, outdoor signage, or seasonal decor.
Q: What is the advantage of the RGBL quad LED engine?
A: The Lime diode boosts brightness and white balance across the spectrum, allowing better pastels and true tunable whites (2700K–7000K).
Q: Does the LP12IP support TV studio and livestream environments?
A: Absolutely. It offers adjustable refresh rates (up to 25kHz) and 16-bit color dimming for flicker-free broadcast operation.
Q: Are there different beam angles available?
A: Yes. The fixture comes with a 25° frost filter and supports optional lens kits (20°, 60°, 100°, 30x60°, 1x40°) for maximum beam control.
Q: Is the LP12IP good for mobile DJs?
A: Yes. It’s rugged, waterproof, and supports multiple color macros and dimming curves—great for uplighting, wash, or FX in unpredictable venues.
Looking to weatherproof your rig with pro-grade IP-rated fixtures? AVMaxx can spec your Encore LP12IP buildout with the right cabling, filters, and power flow for any show.
